A Quote by George Orwell
The paperweight was the room he was in, and the coral was Julia's life and his own, fixed in a sort of eternity at the heart of the crystal.
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When I was in high school, my mom gave me a paperweight. It was when I was going through my 'not that interested in doing homework or really working on anything' phase and the paperweight said "If you're not the lead dog, the view never changes." And that's sort of the same thing, if you're not always working to be in the front.
Meeting my daughter for the first time was the most special moment of my life. They laid Julia on my chest in the delivery room, and my heart completely melted. She was just so peaceful.
Julia's vocabulary was "chock-full" of strangely archaic words - "spiffing," "crumbs," "jeepers" - that seemed to have originated in some prewar girls' annual rather than in Julia's own life. For Jackson, words were functional, they helped you get to places and explain things. For Julia, they were freighted with inexplicable emotion.
Some say it is best not to go near the center of time. Life is a vessel of sadness, but is noble to live life and without time there is no life. Others disagree. They would rather have an eternity of contentment, even if that eternity were fixed and frozen, like a butterfly mounted in a case.
Night of Sleepless Love The night above. We two. Full moon. I started to weep, you laughed. Your scorn was a god, my laments moments and doves in a chain. The night below. We two. Crystal of pain. You wept over great distances. My ache was a clutch of agonies over your sickly heart of sand. Dawn married us on the bed, our mouths to the frozen spout of unstaunched blood. The sun came through the shuttered balcony and the coral of life opened its branches over my shrouded heart.
Think about this: If water is the blood of our planet flowing through veinous rivers, streams, and into our oceans, what does that make coral? Our heart. We simply cannot survive without our heart; therefore, it's mandatory we heal and protect our coral reefs now.
He couldn’t say the words, had spent too long in Silence, but he’d learned other ways to speak. Taking the paperweight she’d knocked off her desk out of his pocket, he put it in her hands. “It’s fixed. As long as you don’t mind more than a few scars.
Every person has the truth in his heart. No matter how complicated his circumstances, no matter how others look at him from the outside, and no matter how deep or shallow the truth dwells in his heart, once his heart is pieced with a crystal needle, the truth will gush forth like a geyser.
Coral reefs are the backbone for the entire ocean. They are the nursery for the ocean. About a quarter of all marine life in the ocean spends part of its lifecycle on a coral reef. And there are about a billion or so people that depend on coral reefs for fish for their food, for protein.
This knowledge sits in my heart, heavy as a paperweight.
What is your future, son of a king?' he heard Torina say. Landen smiled. 'Ask your crystal, daughter of a queen.' She traced his eyebrow with a finger. 'My crystal never tells me what I can see with my own eyes.
What a wretched thing is all fame! A renown of the highest sort endures, say, for two thousand years. And then? Why, then, a fathomless eternity swallows it. Work for eternity; not the meagre rhetorical eternity of the periodical critics, but for the real eternity wherein dwelleth the Divine.
Cupid and my Campaspe play'd
At cards for kisses - Cupid paid:
He stakes his quiver, bow, and arrows,
His mother's doves, and team of sparrows;
Loses them too; then down he throws
The coral of his lips, the rose
Growing one's cheek (but none knows how);
With these, the crystal of his brow,
And then the dimple of his chin:
All these did my Campaspe win.
At last he set her both his eyes -
She won, and Cupid blind did rise.
O Love! has she done this for thee?
What shall, alas! become of me?
Melville had to fight, fight against the existing world, against his own very self. Only he would never quite put the knife in the heart of his paradisal ideal. Somehow, somewhere, somewhen, love should be a fulfillment, and life should be a thing of bliss. That was his fixed ideal. Fata Morgana. That was the pin he tortured himself on, like a pinned-down butterfly.
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
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