A Quote by George Orwell

Political language... is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. — © George Orwell
Political language... is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.
In our time, political speech and writing are largely the defense of the indefensible... Thus, political language has to consist largely of euphemism, question-begging, and sheer cloudy vagueness... Political language [is] designed to make lies sound truthful and murder respectable.
We never look deeply into the quality of a tree; we never really touch it, feel its solidity, its rough bark, and hear the sound that is part of the tree. Not the sound of wind through the leaves, not the breeze of a morning that flutters the leaves, but its own sound, the sound of the trunk and the silent sound of the roots.
There are parts on 'Wind's Poem' that are literal recordings of wind. I had this old sound effects record that I got some wind from and then I figured out that distorted cymbals sound just like wind so I used that a lot.
A respectable appearance is sufficient to make people more interested in your soul
The horror of Gandhi's murder lies not in the political motives behind it or in its consequences for Indian policy or for the future of non-violence; the horror lies simply in the fact that any man could look into the face of this extraordinary person and deliberately pull a trigger.
Biology is the study of complicated things that give the appearance of having been designed for a purpose
This is going to be murder," Fransic whispered to Mr. Trimes. "Pure murder." "I'm glad to see your confidence returning, Mr. Tucket. Just a few minutes ago you were ready to give up. Now you're talking about killing him." "I meant it the other way." "Oh.
What distinguishes genocide from murder, and even from acts of political murder that claim as many victims, is the intent. The crime is wanting to make a people extinct. The idea is the crime.
My main message is to preach God's word, pure and truthful. But also make it swaggalicious.
There is a difference. If you kill to take money or rob, it is plain murder, but if you kill because of political reasons, that is a political murder.
Commuters give the city its tidal restlessness, natives give it solidity and continuity, but the settlers give it passion.
The mystery lies in the irrationality by which you make appearance - if it is not irrational, you make illustration.
I often get asked, 'Is the book dead?' It hasn't happened yet. It's different than music. Music was always meant to be pure sound - it started out as pure sound and now it's pure sound again. But books started out as things. Words on paper began as words on paper. The paperback book is the best technology to deliver that information to you.
The same wind blows on us all. The economic wind, the social wind, the political wind. The same wind blows on everybody. The difference in where you arrive in one year, three years, five years, the difference in arrival is not the blowing of the wind but the set of the sail.
I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.
Terrorism, to me, is the use of terror for political purpose, and terror is indiscriminate murder of civilians to make a political point.
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