A Quote by George Packer
The literature of the Spanish Civil War is also important to me. Above all George Orwell's "Homage to Catalonia" as well as the writing of John Dos Passos and Ernest Hemingway. They worked on a film together in Spain during that war, which ended their friendship.
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By the 1950s The Novel had become a nationwide tournament. There was a magical assumption that the end of World War II in 1945 was the dawn of a new golden age of the American Novel, like the Hemingway-Dos Passos-Fitzgerald era after World War I.
The question of what actually caused the Civil War is secondary to the result of the Civil War, which is that after the war was over, slavery was ended, and the North and the South reconciled. And I think we need to respect that.
I went through the communist children's movement at the age of nine, in 1930, and into the Young Communist League in 1936. The Spanish civil war brought me back. I'd already broken with the communists - or the Stalinists, more precisely - in 1935. But the civil war in Spain and the desire to aid the remarkable people struggling against Fascism brought me back to the Young Communist League, so that I could effectively participate, however far removed from Spain, in their struggle. By 1938 I was ready to be expelled. By 1939 I was expelled.
Even [Ernst] Hemingway, perhaps the most intentionally non-political of American writers, became passionately partisan during the Spanish Civil War.
Some 2,800 Americans went to Spain [during the Spanish Civil War], and it was, by far, the largest number of Americans before or since who've ever joined somebody else's civil war. I think they were primarily people who were deeply alarmed by the menace of fascism. They saw this on the horizon. I quote one volunteer, Maury Colow of New York, who said, "for us it was never Franco, it was always Hitler."
The intelligence community is so vast that more people have top secret clearance than live in Washington. The U.S. will spend more on the war in Afghanistan this year, adjusting for inflation, than we spent on the Revolutionary War, the War of 1812, the Mexican-American War, the Civil War and the Spanish-American War combined.
And that's when he finally tells me his name is Ernest. I'm thinking of giving it away, though. Ernest is so dull, and Hemingway? Who wants a Hemingway?
The Civil War is not ended: I question whether any serious civil war ever does end.
During the 1980s, international interest in the Nicaraguan war was intense. No conflict since the Spanish civil war had provoked such passion around the world. It was a classic good-versus-evil war.
John Dos Passos, Raymond Carver, Flaubert and William Maxwell were all very influential when I first started writing. Now, the writers I'm most interested in are the writers who are most unlike me: for example, Denis Johnson.
... there was the first Balkan war and the second Balkan war and then there was the first world war. It is extraordinary how having done a thing once you have to do it again, there is the pleasure of coincidence and there is the pleasure of repetition, and so there is the second world war, and in between there was the Abyssinian war and the Spanish civil war.
Helpful to me over the years was some of Ernest Hemingway's writing, for example A Farewell to Arms. You have characters who speak Italian or Spanish to each other. It's been helpful to me to study and try to emulate that in that way.
I know [Arthur Koestler] fought in the Spanish Civil War. He was in prison, I think, in Spain and in Russia. He came to the United States; that's when I saw him in the mid-1940s.
After the Spanish Civil War against Franco, a group of us got together: a group of well-to-do people who were sympathetic to the lost cause of a Republican state. We bought a convent in Toulouse and converted it into a hospital run by the Unitarians. It took care of the Spanish refugees who fled to Toulouse.
Then down came the lid--the day was lost, for art, at Sarajevo. World-politics stepped in, and a war was started which has not ended yet: a "war to end war." But it merely ended art. It did not end war.
John Steinbeck is one of the most under-discussed and under-written-about of all American writers. He is way up there and should stand on a par, or even above, Ernest Hemingway and William Faulkner.
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