A Quote by George Packer

A great writer requires a great biography, and a great biography must tell the truth. — © George Packer
A great writer requires a great biography, and a great biography must tell the truth.
Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
No great man lives in vain. The history of the world is but the biography of great men.
I have always hated biography, and more especially, autobiography. If biography, the writer invariably finds it necessary to plaster the subject with praises, flattery and adulation and to invest him with all the Christian graces. If autobiography, the same plan is followed, but the writer apologizes for it.
Find a great role model, perhaps someone who struggled and only really succeeded when older. Their biography and what they've done differently from you will help you. If such a person is willing to mentor you or at least allow you to work around them, great.
I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
Great writing can be done in biography, history, art.
When some one sorrow, that is yet reparable, gets hold of your mind like a monomania,--when you think, because Heaven has denied you this or that, on which you had set your heart, that all your life must be a blank,--oh, then diet yourself well on biography,--the biography of good and great men. See how little a space one sorrow really makes in life. See scarce a page, perhaps, given to some grief similar to your own, and how triumphantly the life sails on beyond it.
Every great man nowadays has his disciples, and it is usually Judas who writes the biography.
I think you must remember that a writer is a simple-minded person to begin with and go on that basis. He's not a great mind, he's not a great thinker, he's not a great philosopher, he's a story-teller.
A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist.
A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
Biography can be the most middle-class of all forms, the judgment of little people avenging themselves on the great.
The transgressive nature of biography is rarely acknowledged, but it is the only explanation for biography's status as a popular genre.
My biography of Jesus is probably the first popular biography that does not use the New Testament as its primary source material.
The best one-volume biography of Abraham Lincoln is still Benjamin Thomas's 1952 biography. David Donald's 1995 biography is a close second, and close enough that if you can only obtain the Donald rather than the Thomas, your book club will still be doing just fine.
Women are defined by their biography, and men are sacrosanct from their biography.
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