A Quote by George Pelecanos

Incarcerated individuals want what most people want in a novel: good, honest writing and a story well told. — © George Pelecanos
Incarcerated individuals want what most people want in a novel: good, honest writing and a story well told.
There's a great joy in writing about a place you know very well, but there's also a lot of responsibility in trying to be accurate. It's a lot like writing about a relative: you can see both their strengths and their shortcomings, and even as you want to be honest, you want people to see the good that's there as well.
So often with beginning writers, the story that they want to start with is the most important story of their life - my molestation, my this, my horrible drug addiction - they want to tell that most important story, and they don't have the skills to tell it yet, so it ends up becoming a comedy. A powerful story told poorly becomes funny, it just makes people laugh behind their hands.
I was writing 'Outlander' for practise and didn't want anyone to know I was doing it. So I couldn't very well announce to my husband that I was quitting my job and abandoning him with three small children to visit Scotland to do research for a novel that I hadn't told him I was writing.
The best bit of novel writing is being allowed to write exactly what you want at the speed that you want, and to include as many different people and places and times as you want, working with pretty much only one person, the editor, whose job it is to get it in good shape for publication.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
I think my viewers want smart, honest programming. They don't want to be told what makes them feel good.
Our goal is to have a country that's not divided by race. And my impression, as I travel around the country, is that that's the kind of country that most people want, as well, and that we all have prejudice, we all have certain suspicions or stereotypes about people who are different from us, whether it's religious or racial or ethnic, but what I think I found in the American people, I think there's a core decency there, where if they take the time, if they get the time to know individuals, then they want to judge those individuals by their character.
I don't know if I'd want to be comforted, if I'm being honest. If I'm being forced to eat soot, I want to know that somewhere else in the world, someone else has to eat soot as well. I want to know that soot tastes terrible. I don't want to be told that soot's good for the digestion. And of course, by soot, I mean beans.
I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
In a recession, people want to be told for two hours that everything is going to be OK. They want to escape from their humdrum or painful reality into a feel-good drama, or a love story that transcends their daily life.
I was pretty dead set against ever writing an academic novel. It's always been my view that there are already more than enough academic novels and that most of them aren't any good. Most of them are self-conscious and bitter, the work of people who want to settle grudges.
Remember that a good football novel has to have the same ingredients as any other good novel: drama, convincing and interesting characters, a strong story-line, and some kind of magic in the writing.
I think, as writers, our first responsibility is to writing an honest story. Tell the story you want to tell, without pulling your punches.
I think a good story, well told is a good story, well told, whether you're watching the episodes all in a row or not. However, it might be fun to take a closer look at how the previous episode ends and how that end relates to the beginning of the next episode.
Good writing is remembering detail. Most people want to forget. Don't forget things that were painful or embarrassing or silly. Turn them into a story that tells the truth.
When well told, a story captured the subtle movement of change. If a novel was a map of a country, a story was the bright silver pin that marked the crossroads.
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