A Quote by George Pelecanos

If I had my druthers, I wouldn't have anyone's words in my script but my own, but if you want complete autonomy, just stick to novels. — © George Pelecanos
If I had my druthers, I wouldn't have anyone's words in my script but my own, but if you want complete autonomy, just stick to novels.
For 'Mad Men,' we really had to stick to the script, and you want to. It's not like you feel your hand is being forced. The words you get are the words you say.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.
You do think, if you have your druthers, 'I want to sort of be, not anonymous, but unknown'. But you don't have your druthers in life, do you?
I've never had anyone just stick their hands through my hair. Yet. If they ask, I go, 'OK, you can, if you want to. It's probably just going to feel like most people's.' I take it as a compliment.
I don't think about better. You just want it to work. You want it to work and you have your guide with the script. You want it to exist and complete.
I am going to have to stick to the script. If I muck around with the words it will defeat the object.
In 'W,' I did not change a word in the script. I have never spoken this much in other series. I just stick to whatever is written. I always carry the script with me and read it before I sleep.
I am trying to write novels for properly clever people, but I also want them to be proper novels that also stick in a person's mind and have an atmosphere about them.
She had lolled about for three years at Girton with the kind of books she could equally have read at home--Jane Austen, Dickens, Conrad, all in the library downstairs, in complete sets. How had that pursuit, reading the novels that others took as their leisure, let her think she was superior to anyone else?
My wife loves written words ... you know, words that stick to parchment and paper like dead flies, and it seems my father felt the same - but I want to hear words! Remember that when you are looking for the right words: You must ask yourself what they SOUND like! Glowing with passion, dark with sorrow, sweet with love, that's what I want. - Cosimo
I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.
For my own good. Anytime anyone had ever used those words to me, they hadn't had the slightest clue what ‘my own good’ truly was
At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.
Novels with a "thesis" don't interest me. They just don't - novels that want to "show" something, that want to "argue" something specific. I don't read novels that are looking to convince me of anything.
I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
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