A Quote by George Perez
I find that using real people as models keeps me from getting too formulaic in the designs of characters.
Related Quotes
The characters are whole, real people to me that I'm getting to know, and since real people are all flawed, so are my characters, I hope.
The climate-studies people who work with models always tend to overestimate their models. They come to believe models are real and forget they are only models.
For me, using a notebook every day keeps me on track! Some people use planners; those are great, too.
Investors should be skeptical of history-based models. Constructed by a nerdy-sounding priesthood using esoteric terms such as beta, gamma, sigma and the like, these models tend to look impressive. Too often, though, investors forget to examine the assumptions behind the models. Beware of geeks bearing formulas.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
I have my own difficulty with movies in which the suffering of the characters is too real, and many find it difficult to watch comedies that rely too heavily on embarrassment; the vicarious reaction to this is too unpleasant.
A lot of mythology surrounds British inventor Geoffrey Pyke. He supposedly made people come to his bedside to see his designs because getting up and getting dressed took too long.
I always get role models, people from real life who've lived the lives of the characters, and talk it through together, me, them and the actor, a lot. That helps. We certainly have our disagreements. But in the end we trust each other.
Grace is what matters. In anything. Especially life, especially growth, tragedy, pain, love, death. About people, that's what matters. That's a quality I admire very greatly. It keeps you from reaching for the gun too quickly; it keeps you from destroying things too foolishly; it sort of keeps you alive and keeps you open for more understanding.
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people
My characters surprise me constantly. My characters are like my friends - I can give them advice, but they don't have to take it. If your characters are real, then they surprise you, just like real people.
If our designs are failing due to the constant rain of changing requirements, it is our designs that are at fault. We must somehow find a way to make our designs resilient to such changes and protect them from rotting.
Most of the time I'm not even working, I'm just helping people, because I feel that I am too lucky. If there really is a god, then he really looks after me. All these years he's taken care of me, my career keeps getting better and better. Whatever I want just seems to come. And it keeps coming. So I promised myself that I have to pay for this, payback society. So this is why I started my Jackie Chan Foundation to help children and sick kids and people in hospitals.
The danger, I find, is that you can become too formulaic, like some commissioned portrait painters who develop a methodology.
One of the things that bugs me about the Western Literary Tradition is that the conventions of narrative in particular seem to confine the stories you can tell about characters to tropes of bone-headed action and old models of psychological realism. And as readers, too, we have been conditioned to understand characters as - and forgive me for saying it out loud - what the market says they should be. Namely, safe, clean, proper.
One of the most important things to me is to make things real, not have models who are perfectly groomed or clothes that are too perfect. It all has to have a twist because that's how people live.
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