A Quote by George Plimpton
Rick Bass is one of the best writers of his generation.
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Rick Bass is one of a dwindling handful of American fiction writers still celebrating the importance of place, the natural world, and the struggle of a few brave souls to live and work respectfully in what's left of our western wilderness...The Lives of Rocks is his most lyrical and powerful book to date...a masterwork.
TRIGGER CITY secures Sean Chercover's place as one of the best crime writers of his generation. It grabs you hard on the first page and doesn’t let go, even after you’ve closed the book.
Once again...Rick Bass draws us into his magical human worlds, rendered urgently by a hypnotic prose that tracks a parallel and untamed natural world, often with a trace of loss and always patrolled by unmistakable decency. He is a master of this form.
This is Rick Grimes being pushed to his absolute limit. And if you think you’ve seen that before, you haven’t. And the Rick Grimes that comes out of this is really going to shock people.
I was writing before I met Rick and actually I created the band before Rick Finch. Basically, the first album, I wrote. Who's to say what would've happened? Rick was very talented too.
I've met writers who wanted to be writers from the age of six, but I certainly had no feelings like that. It was only in the Philippines when I was about 15 that I started reading books by very contemporary writers of the Beatnik generation.
I was an original Elvis fan. He was the voice of my generation. I was listening to him on the radio when he released his great Sun records with Scotty Moore on electric guitar and Bill Black on bass.
One of my all-time favourite guitarists is, in fact, a bassist - John Entwistle from The Who. He's one of my all-time favourites, the way he kind of expanded. I mean, he could have been a lead guitarist and been one of the best guitarists in the world. He wasn't even bass player; he was a bass guitarist, and he took the bass to another level.
We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out We invented the Revolution but we don't know how to run it Look everyone wants to keep something from the past a souvenir of the old regime This man decides to keep a painting This one keeps his mistress He [ pointing ] keeps his garden He [ pointing ] keeps his estate He keeps his country house He keeps his factories This man couldn't part with his shipyards This one kept his army and that one keeps his king
Rick said, "Is there some place we can go and talk?" "You want to talk?," Keir raised an eyebrow. "I never thought I'd see the day." "Nah, I want to tell you this joke I heard." Keir nodded, patient. "Shoot." "Two Irish cops walk into a bar. The first cop says..." Rick's voice dropped. He said gruffly, "I love you. Come home." Keir managed to keep his voice steady. "What's the other cop say?" The sweetness of Rick's smile was like a kick in his chest. "That's what I'm here to find out, boyo.
I often use a return channel to get some shape out of the bass. It's a good way to split the frequencies of the bass so that the sub bass is clean and in mono and the higher end of the bass sound can be filtered off - have it on an audio channel and that's where you can use effects.
I'm not much of a Rick Moody fan, but I want to be a fan for the Rick Moody I thought might appear after his first two novels, 'Garden State' (1992) and 'The Ice Storm' (1994).
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
With the Holocaust - I wonder if a lot of Jewish writers of my generation have felt this way - it feels really intimidating to approach it. I feel like so many writers who have either lived through it firsthand or were part of that generation where they were closer to the people who were in it have written so beautifully about it, so there's no lack of great books about it
Unfortunately, like, homework and school wasn't the thing that I was obsessing over. It was, you know, music and making music and how to like - and drum machines. And we met Rick Rubin, and Rick Rubin had a drum machine. So I would just cut school and go to his house - his dorm room.
Only a generation of readers will span a generation of writers.
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