A Quote by George Plimpton

He was interviewed in the early '60s by a young novelist, Pati Hill. — © George Plimpton
He was interviewed in the early '60s by a young novelist, Pati Hill.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
As a child growing up in pre-gentrification Boerum Hill, Brooklyn, I went everywhere by bicycle. My bike was in many ways the key to my neighborhood, which, at the time, was Boerum Hill, Brooklyn. This was in the 60s and 70s, before all the white people and restaurants. I really can't underscore boldly enough the fact that I grew up in Boerum Hill, Brooklyn, before it was gentrified. You could get mugged!
The first language that I learned was Italian in Italy in the early and middle-'60s and I had to do that to keep up with the young men who were courting my wife.
It is true that back in the '60s I was quite frustrated that I never got a chance to speak or be interviewed.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I was born in '74, so I missed out on all the great early '60s and early '70s.
I love French auto design of the early '50s, '60s, early '70s of Citorens, Renaults, and Peugeots. They're so unique.
When you're being interviewed every day, and you're tired, you can make mistakes and say the wrong things, especially when you're young. When you're young, you don't realize everything, and you're a little naive.
Early on, one of my favorites was Ray Charles. I remember hearing 'I Can't Stop Loving You' in the early '60s and thinking, 'What an unbelievably soulful voice.' In those days, the Deep South was extremely segregated.
We take a lot of inspiration from punk rock and early rock 'n' roll from the '50s and early '60s.
I kind of got really, really into 'Hill Street Blues' when it came out. I used to leave a class early just to make sure I could watch the episode of 'Hill Street Blues' that day.
Tempore difficiles veniunt ad aratra juvenci; Tempore lenta pati frena docentur equi. In time the unmanageable young oxen come to the plough; in time the horses are taught to endure the restraining bit.
One of the things about landays is that they thrive in a modern context. Early on I went to this incredible Pashtun novelist, Mustafa Salik, who is a bestselling novelist in Afghanistan and works for the BBC in Pashto. With the question of the sanctity of the poems in mind, I asked him, "Aren't you worried? They've been posted on Facebook and such." And he said, "Just the opposite. This is a folk form; they survive and thrive as people share them."
I've interviewed the president in the White House. I'd interviewed major newsmakers and Hollywood actors.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
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