A Quote by George R. R. Martin
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli.
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Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end.
Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.
We all have one idea of what the color blue is, but pressed to describe it specifically, there are so many ways: the ocean, lapis lazuli, the sky, someone's eyes. Our definitions are as different as we are ourselves.
More varied than any landscape was the landscape in the sky, with islands of gold and silver, peninsulas of apricot and rose against a background of many shades of turquoise and azure.
I love blue more than any other color. I am inordinately attracted to any blue substance: to minerals like turquoise and lapis lazuli, to sapphires and aquamarines; to cobalt skies and blue-black seas; Moslem tiles - and to a blue flower whether or not it has any other merit.
Practically and commercially speaking, a dollar is not necessarily a specific thing, made of silver, or gold, or any other single metal, or substance. It is only such a quantum of market value as exists in a given piece of silver or gold.
My treasure chest is filled with gold.
Gold . . . gold . . . gold . . .
Vagabond's gold and drifter's gold . . .
Worthless, priceless, dreamer's gold . . .
Gold of the sunset . . . gold of the dawn . . .Gold of the showertrees on my lawn . . .
Poet's gold and artist's gold . . .
Gold that can not be bought or sold -
Gold.
We want and expect to win the silver or gold. A bronze would be a step back. In fact, we think it would be a put-down if we don't win the silver or gold.
People adored Element 13's color and luster, which reminded them of the sparkle of gold and silver - a brand-new precious metal. In fact, aluminum became more precious than gold and silver in the 19th century because it was harder to obtain.
Back in 1960, the paper dollar and the silver dollar both were the same value. They circulated next to each other. Today? The paper dollar has lost 95% of its value, while the silver dollar is worth $34, and produced a 2-3 times rise in real value. Since we left the gold standard in 1971, both gold and silver have become superior inflation hedges.
But, in truth, it had not exactly been gold, or even the promise of gold, but more like the fantasy of gold, the fairy dream that the gold is there, at the end of the rainbow, and will continue to be there forever - provided, naturally, that you don't go and look. This is known as finance.
Many parks in Florida have information kiosks with colorful enamel signs showing the special flora and fauna in the park. The gopher tortoise, the scrub jay, the indigo snake. At no park with an indigo snake on its kiosk signs could I find an indigo.
Though many of Obsidian's games have featured wry, sardonic humor, the developer has stuck to more serious fantasy and sci-fi themes.
There is a way to play this game physically, but it's the mental part that's going to separate gold from silver and silver from bronze.
When I was on tour, people would say "We don't need a value-based currency, we can go out and buy gold and silver with US dollars now." I mean that it is so utterly brain dead, because they miss the whole point: the reason we need to have a gold and silver based currency is to bring discipline to the financial system so the government can't go out and do all sorts of bad things.
My own novel, 'The Silver Bough,' about the inhabitants of a remote town at risk of being overwhelmed by Scotland's mythological past, was once criticised by a disgruntled fan as 'fantasy for people who don't read fantasy.'
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