A Quote by George R. R. Martin

His eyes were open wounds beneath his heavy brows, a blue as dark as the sea by night. — © George R. R. Martin
His eyes were open wounds beneath his heavy brows, a blue as dark as the sea by night.
His steady gaze held hers. His blue eyes were very dark, uniquely so. She had known people before with blue eyes, but they had always been light blue. Will's were the color of the sky just on the edge of night.
His blue eyes were very dark...Will's were the colour of the sky just on the edge of the night.
The witchlight made his skin paler, his eyes more intently blue. They were the color of the water in the North Atlantic, where the ice drifted on its blue-black surface like the snow clinging to the dark glass pane of a window.
His brow is seamed with line and scar; His cheek is red and dark as wine; The fires as of a Northern star Beneath his cap of sable shine. His right hand, bared of leathern glove, Hangs open like an iron gin, You stoop to see his pulses move, To hear the blood sweep out and in. He looks some king, so solitary In earnest thought he seems to stand, As if across a lonely sea He gazed impatient of the land. Out of the noisy centuries The foolish and the fearful fade; Yet burn unquenched these warrior eyes, Time hath not dimmed, nor death dismayed.
This unlikely story begins on a sea that was a blue dream, as colorful as blue-silk stockings, and beneath a sky as blue as the irises of children's eyes.
For every man's nature is concealed with many folds of disguise, and covered as it were with various veils. His brows, his eyes, and very often his countenance, are deceitful, and his speech is most commonly a lie.
It is so easy to be hopeful in the daytime when you can see the things you wish on. But it was night, it stayed night. Night was striding across nothingness with the whole round world in his hands . . . They sat in company with the others in other shanties, their eyes straining against cruel walls and their souls asking if He meant to measure their puny might against His. They seemed to be staring at the dark, but their eyes were watching God.
To see is one thing; to picture or visualise is another. A person can see things, only when his eyes are open, and when his surroundings are illuminated; but he can have pictures in his mind's eye, when his eyes are shut and when the world is dark.
These are dark radiances. They have no suspicion that they are to be pitied. Certainly they are so. He who does not weep does not see. They are to be admired and pitied, as one would both pity and admire a being at once night and day, without eyes beneath his lashes but with a star on his brow.
His hand is cool on my cheek as he paints a tear beneath my left eye, dark blue and swollen with sorrow.
It was going to be a long, dark night but not quite as dark as it was in the abyss of his heart where there was nothing but hollowness, yet it felt heavy, almost as if someone still resided there.
How not to imagine the tumors ripening beneath his skin, flesh I have kissed, stroked with my fingertips, pressed my belly and breasts against, some nights so hard I thought I could enter him, open his back at the spine like a door or a curtain and slip in like a small fish between his ribs, nudge the coral of his brains with my lips, brushing over the blue coil of his bowels with the fluted silk of my tail.
Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The V motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down--from high flat temples--in a point on his forehead. He looked rather pleasantly like a blond Satan.
She would allow him to comfort her. And perhaps, someday, she would listen patiently if a dark, dreary night found him well in his cups and he drunkenly confessed to still feeling scores of wounds that weren’t his own, but those of men under his command.
While the poet wrestles with the horses on his brain and the sculptor wounds his eyes on the hard spark of alabaster, the dancer battles the air around her, air that threatens at any moment to destroy her harmony or to open huge open empty spaces where her rhythm will be annihilated.
The brown blotches of the benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks. The blotches ran well down the sides of his face and his hands had the deep-creased scars from handling heavy fish on the cords. But none of these scars were fresh. They were as old as erosions in a fishless desert.
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