A Quote by George R. R. Martin

I never wanted to see half the things I've seen, and I've never seen half the things I wanted to. I don't think wanting comes into it. You'd best go all the same. — © George R. R. Martin
I never wanted to see half the things I've seen, and I've never seen half the things I wanted to. I don't think wanting comes into it. You'd best go all the same.
Imagine that half the world is hidden from you. Half of the person sitting across from you has never been appreciated, half of the garden has never been seen or smelled, half of your own life has never been truly witnessed and appraised.
Many friends have said to me, 'I never know when you write your books, because I've never seen you writing, or even seen you go away to write.' I must behave rather as dogs do when they retire with a bone; they depart in a secretive manner and you do not see them again for an odd half hour. They return self-consciously with mud on their noses. I do much the same.
I've never seen 'Seinfeld', never seen 'The Cosby Show'; I just don't watch it. I saw half of 'Oprah' one time. I'd rather read.
I've never seen Friends; I've never seen Seinfeld. I've heard people reference these things but I've never seen them.
I've never seen 'Friends;' I've never seen 'Seinfeld.' I've heard people reference these things but I've never seen them.
I never wanted to become an actress because I'd read great literature or seen great Shakespeare. It was more just wanting to understand what the people were really like, why they said all the strange things they did.
Half of the American people have never read a newspaper. Half never voted for President. One hopes it is the same half.
I got about half the time I wanted to write poetry. I got about half the time I needed to be a father. So there is something in adulthood that has to do with accepting the half of things, allowing a renunciation of the other half, accepting half a basket instead of a full basket.
Until 'Moonlight,' I had never seen one black man cook for another on screen. But I wanted the characters to be free of 'groundbreaking' or 'never before.' We were ascribed those things. They weren't the point.
I think I always kind of wanted to be a musician but never dared to say it out loud because I never thought it was possible. I wanted to be a teacher, a lawyer, a doctor - I wanted to be a lot of other things growing up.
I've never wanted to grow up too fast. I wanted to wear a sports bra until I was 22! ... The allure of being sexy never really held any excitement for me. I've never been in a terrible rush to be seen as a woman.
I never wanted to be a puppeteer. I stopped puppeteering when I was about 18. I puppeteered when I was eleven years old to 18 to make extra money to go to Europe, which I made half of and my parents gave me half.
I'd like to give the audience what they've always wanted to see and also I want to give the audience what they've never seen. It's these two things I'm striving for.
When I was at school when I was 16, I was in a quandary because I didn't know whether I wanted to join the army - I had this terrible desire to be a tank driver in the Royal Tank Regiment, genuinely - or whether I wanted to go to art college because half of me wanted to be in the army, and the other half of me wanted to be a surrealist.
No half measures. Some things can’t be cut in half. You can’t half-love someone. You can’t half-betray, or half-lie.
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
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