A Quote by George R. R. Martin

I like grey characters; fantasy for too long has been focused on very stereotypical heroes and villains. — © George R. R. Martin
I like grey characters; fantasy for too long has been focused on very stereotypical heroes and villains.
So much in TV today, you don't get to feel empathetic for the villain. The villains are the villains and the heroes are the heroes. It's very black and white.
There are some characters in 'The Names' who are very much heroes and others who can only be called villains. But generally, as we get to know them, we see most of the characters are, or at least become, quite nuanced.
Namor has shades of grey but always ends up doing the right thing. I've played characters with an edge - played villains if not super villains - and he's an anti-hero.
A lot of times, female characters - particularly the villains - come off as very one-dimensional. They get the short shrift in that they're only given the snappy comeback, or they're relegated to a very stereotypical role. I want to know what's driving them - that's what's really interesting.
I also try very hard to create characters - both heroes and villains - with psychological depth.
I feel like I learned very early on that your heroes are only as powerful as your villains. And I'm attracted to intelligent villains.
People are much more complicated in real life, but my characters are as subtle and nuanced as I can make them. But if you say my characters are too black and white, you've missed the point. Villains are meant to be black-hearted in popular novels. If you say I have a grey-hearted villain, then I've failed.
It is much more fun to write about villains then heroes. The villains are the ones that think out the scheme, and the heroes just kind of come along for the ride.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
Without will, without individuals, there are no heroes. But neither are there villains. And the absence of villains is as prostrating, as soul-destroying, as the absence of heroes.
Grey characters don't only mean broody characters. A totally smitten lover boy can be equally grey if written that way.
I always felt like Azula and Long Feng were much more interesting villains and three-dimensional characters than Ozai, who was just sort of a big jerk. Like a really big jerk, but not very complex or human.
It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color.
I'm not sure why I'm so drawn to heroes who do bad things and to villains who think they're the good guys, but I do find that moral ambiguity and conflict makes for great characters.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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