A Quote by George R. R. Martin

I prefer to work with grey characters rather than black and white. — © George R. R. Martin
I prefer to work with grey characters rather than black and white.
People are much more complicated in real life, but my characters are as subtle and nuanced as I can make them. But if you say my characters are too black and white, you've missed the point. Villains are meant to be black-hearted in popular novels. If you say I have a grey-hearted villain, then I've failed.
Most of life is grey, with a little tiny bit of black and white. We're always subject to what I call the compression industry, which is an attempt to compress a million shades of grey with a little bit of black and white to just a hundred, or to ten, or to one!
I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other than specific reality. I have worked in color when I thought it was the appropriate way to express the thought that I was working on.
I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other than specific reality. I have worked in color when I thought it was the appropriate way to express the thought that I was working on
My uniform: grey suit, white shirt, grey tie and tie bar, grey cardigan and black wingtips.
I do not look at the world in terms of black and white - and I find people who do rather scary. I think it's all shades of grey.
To describe something as being black and white means it is clearly defined. Yet when your ethnicity is black and white, the dichotomy is not that clear. In fact, it creates a grey area.
Most of my work involves slowing down rather than speeding up. I prefer to look at prints than scans, and I prefer to look at original silver prints rather than digital prints. I prefer to look at fewer images, but spend time with those individual images.
The colour grey makes you feel uneasy, makes things seem complicated and hopeless, it upsets the notion of black and white. Good and evil? There is no such thing. There is a little good and a evil, a little black and a little white. Grey is not an attractive colour, but perhaps it is the one that describes the world most accurately.
Gandalf the Grey was always the guy I prefer. Gandalf the White was driven to do a particular job, whereas Gandalf the Grey is a bit more humane.
At pivotal moments throughout history, there have always been grey areas, and there likely will be in the future. Courage now lies not in the black and white, as in the past, but in the grey.
I wanted to learn how to paint rather than just doing black-and-white work.
I wanted to learn how to paint rather than just doing black-and-white work
Ned was clad in a white linen doublet with the direwolf of Stark on the breast; his black wool cloak was fastened at the collar by his silver hand of office. Black and white and grey, all the shades of truth.
I prefer black and white and portrait photography. I like old, you know, interesting faces, so I think black and white brings out the contrast.
People will always prefer black-and-white over shades of grey, and so there will always be the temptation to hold overly-simplified beliefs and to hold them with excessive confidence
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