A Quote by George R. R. Martin

I worked out of Hollywood for 10 years and I had my heart broken half a dozen times, so I know all the things that can go wrong. — © George R. R. Martin
I worked out of Hollywood for 10 years and I had my heart broken half a dozen times, so I know all the things that can go wrong.
This is a terrible confession to make, but after I left the Army I had a number of things to try. I had a great conceit to think that if all else failed I could always go to Hollywood. So when all else did fail I really went to Hollywood. And then I found out how wrong I was.
I've never had my heart broken. And I don't want to have my heart broken. I'm afraid of it. Even when I break someone else's heart, I'm really upset about it. And I'm not even feeling half of what they are.
People die of broken hearts. They have heart attacks. And it's the heart that hurts most when things go wrong and fall apart.
You know Hollywood is a weird and wonderful place, I didn't know I Dream of Jeanie had been cancelled after 5 years until I went back to go on the lot to pick up some clothes and things I had in my dressing room.
When things go wrong it is magnified 10 times more in the Premier League.
I am pessimistic, I think that's the best way to be, because if you're always expecting the best - the best doesn't always happen. Nine times out of 10 it doesn't. I'm surprised when things go smoothly. I don't know what's wrong with being pessimistic - unless you are such a pessimist that you don't do anything.
I had worked for ten years in theater; I had worked at Second City in Chicago. Then I got to Hollywood, and I was like, naively, 'Where's my pilot?'
If you've ever had your heart broken, it's like, once is enough - you can live a lifetime on that. Ya know? You can write a lot of records on one broken heart.
So many things could go wrong, on any film. I've been out in L.A. for eight years and I've been acting professionally for a long time, and you realize that you have to prepare and work hard, but you never know what could go wrong.
Yoko had 10 years and I had 10 years and I would rather have had the 10 years I had than the ones she did. I had the raw talent and the raw human being, before the sycophants arrived.
My parameter of judging a script has not changed over the years. I still go for a script where the story interests me. Yes, there are times where I might go wrong; say, out of five scripts, I might go wrong on one.
If a speculator is correct half of the time, he is hitting a good average. Even being right 3 or 4 times out of 10 should yield a person a fortune if he has the sense to cut his losses quickly on the ventures where he is wrong.
With 'Broken Harbour,' a third of the way through, I worked it out and had to go back and bloody rewrite.
I've learned a lot this year.. I learned that things don't always turn our the way you planned, or the way you think they should. And I've learned that there are things that go wrong that don't always get fixed or get put back together the way they were before. I've learned that some broken things stay broken, and I've learned that you can get through bad times and keep looking for better ones, as long as you have people who love you.
I worked for half a cent a word. I'm not a fast writer to begin with, so for the first few years I had do other things.
The rich are always going to say that, you know, just give us more money and we'll go out and spend more and then it will all trickle down to the rest of you. But that has not worked the last 10 years, and I hope the American public is catching on.
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