A Quote by George R. R. Martin

I spent a whole summer working on what proved to be 'A Game of Thrones'. — © George R. R. Martin
I spent a whole summer working on what proved to be 'A Game of Thrones'.
I had worked in TV prior to working on 'Game of Thrones' - 'Game of Thrones' is far more cinematic than any other television show that I had done before, and so I feel that the worlds of TV and film are most definitely merging as one.
There is a huge fan base, they're very knowledgeable and very loyal. I was astonished - before I started working on the series I didn't know anything about Game of Thrones. I hadn't heard of the books. When it started going out, people were coming up to me in the street saying [fake cockney accent] "oh, Game of Thrones, f------ wonderful.
I'd spent the whole summer working in Manchester filming Citizen Khan and then went straight into the last couple of weeks of my wife's pregnancy.
It's not like I love dragons! Only on 'Game of Thrones!' Our dragons are amazing, and they look really real. But I think after 'Game of Thrones,' I won't be a fantasy fan.
There's no way the writing staff of 'Game of Thrones' haven't read 'The Art of War.' There's definitely an influence on 'Game of Thrones' from this book in both a general way and on the character of Lord Baelish and his strategies.
There's a lot of 'Game of Thrones' stuff used in a lot of pastiches. I don't know if I've seen a Lego 'Game of Thrones' yet, but there must be one. And there's an animated thing that's been going on for quite some time, and Littlefinger is a newsreader in it, and it's great.
The whole format of 'Game of Thrones' is that you just don't know what to expect.
The common people pray for rain, healthy children and a summer that never ends. It is no matter to them if the high lords play their game of thrones, so long as they are left in peace.
My whole adolescence has been on 'Game of Thrones;' I don't know what I'm going to do without it.
The most exciting thing about joining 'Game Of Thrones' is joining 'Game Of Thrones.'
If, like me, you've never watched 'Game of Thrones', the podcast 'Binge Mode: 'Game of Thrones'' ought to be unlistenable. It isn't, thanks to the energy of the two expert presenters Mallory Rubin and Jason Concepcion, who have the wit to laugh at their own deep-dive devotion and are helped out by some smart editing.
I spent the whole summer with my boobs out, breastfeeding. I loved it. It was heaven.
HBO spent a huge amount of money on 'Game Of Thrones,' and it won't be able to keep spending the money if it can't make it back from people watching it legitimately. It will have an effect on the quality of the programme.
When good media takes a bounded form, and comes once in a period of time, it begs to be consumed as a whole - it creates an engaging experience. We don't dip in and out of an episode of 'Game of Thrones,' after all - we take it in as a whole. Why have we abandoned this concept when it comes to publications, simply because they exist online?
I've done fairly well as a performer and a DJ in the U.K., so 'Game of Thrones' really just opened up a whole new market for me.
Working-class actors have no identity. Our identity is playing every single poor person on 'Game Of Thrones.'
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