A Quote by George Rodger
You must feel an affinity for what you are photographing. You must be part of it, and yet remain sufficiently detached to see it objectively. Like watching from the audience a play you already know by heart.
Related Quotes
The creative thinker must stand sufficiently detached from his work.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
In order to appreciate a great man, we must know his surroundings. We must understand the scope of the drama in which he played - the part he acted - and we must also know his audience.
To find God, you must look with all your heart. To remain present to God, you must remain present to your heart. To hear his voice, you must listen with all your heart. To love him, you must love with all your heart. You cannot be the person God meant you to be, and you cannot live the life he meant you to live, unless you live from the heart.
Love is like playing the piano. First you must learn to play by the rules, then you must forget the rules and play from your heart. If I were pressed to say why I loved him, I feel that my only reply could be: Because it was he, because it was I.
In order to settle down in the quiet of our own being we must learn to be detached from the results of our own activity. We must be content to live without watching ourselves live, to work with expecting immediate reward, to love without an instant satisfaction, and to exist without any special recognition. It is only when we are detached from ourselves that we can be at peace with ourselves.
You must direct your full, intense concentration on the heart. You must feel that you are not the mind. You have to feel that you are growing into the heart. You are only the heart and nothing else.
To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
If the individual is narrowly concentrated on the goal, to the exclusion of other relevant aspects of the problem situation, he is often unable to achieve a solution. The creative thinker must stand sufficiently detached from his work.
Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it.
If I am capable of grasping God objectively, I do not believe, but precisely because I cannot do this I must believe. If I wish to preserve myself in faith I must constantly be intent upon holding fast the objective uncertainty so as to remain out upon the deep, over seventy thousand fathoms of water, still preserving my faith.
I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.
Noon-day sunshine cinema-ized the site, turning the bridge and the river into an over-exposed picture. Photographing it with my Instamatic 400 was like photographing a photograph. The sun became a monstrous light-bulb that projected a detached series of stills through my Instamatic into my eye.
An audience proves its discipline by its capacity for stillness. Those who have never practiced continuous application to an exacting process cannot settle down to simple watching; they must chew gum, they must dig the peel off their oranges, they must shift from foot to foot, from buttock to buttock.
Not only has one to do one's best, one must, while doing one's best, remain detached from whatever one is trying to achieve.
I generally find an affinity with a lot of the people I play and I suppose if I didn't feel an affinity for them then they wouldn't be particularly good performances.
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