A Quote by George Rodrigue

Always there's that space between what you feel and what you do, and in that gap, all human sadness lies. — © George Rodrigue
Always there's that space between what you feel and what you do, and in that gap, all human sadness lies.
In the space between yes and no, there's a lifetime. It's the difference between the path you walk and the one you leave behind; it's the gap between who you thought you could be and who you really are; its the legroom for the lies you'll tell yourself in the future.
I guess I'm interested in the behind-the-surface feelings of the human condition, in my own way. I was always struck by the gap - at least in the books I was reading - between what people tell stories about and what I actually feel. I started thinking about a gap between fantasy and reality.
Pay attention to the gap - the gap between two thoughts, the brief, silent space between words in a conversation, between the notes of a piano or flute, or the gap between the in-breath and the out-breath. When you pay attention to those gaps, awareness of 'something' becomes - just awareness. The formless dimension of pure conciousness arises from within you and replaces identification with form.
If you're paying attention to human interactions - to the gap between who we are and who we think we are, or the gap between what happened and what we remember - you're going to end up thinking (obliquely or otherwise) about what it means to act ethically, and I think that's all to the good.
The Americans are still the leaders in human space flight. I feel we have a danger here of kind of stagnating. We're kind of resting on our laurels and there's a danger going forward if we don't take bold steps to really support human space flight in this country that we could fall behind. After the space shuttle is retired, we're going to have a big gap, five to seven years, at least where we're not going to have the ability to send our own astronauts into space, we'll have to buy rides on the Russian Soyuz, and so that will be a pretty big step down for us.
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.
There is always a gap between conception and execution. We keep writing in the burning hope of closing that gap before we die.
The secret to #success lies in the gap between dream and reality.
Beware of the gap: the gap between where you are and where you want to be. Simply thinking of the gap widens it, and you end up falling through.
Making the effort to improve as a human being is what Coach Lombardi was all about. He was able to see the gap between where we were and what we could become-both as football players and as people. And he felt it was his God-given responsibility to close that gap.
He wanted to care, he wanted to care so badly, but there was this gap between what he felt and what he wanted to feel, a space where something important had been carved out.
My goal is to always try to make you feel something, whether that's humor or sadness or excitement, and to try to manipulate screen space.
I think that the main issue with inequality is not the gap between the rich and the poor. It is the gap between the earnings of top business leaders and the salaries of academics and journalists.
It was the in-between time, before day leaves and night comes, a time I’ve never been partial to because of the sadness that lingers in the space between going and coming.
I had always spoken about the space between the art object and the person looking at it as this dynamic space, which I referred to over and over. So the idea of the space between two things was sort of interesting to me.
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