A Quote by George Sand

almost all novels are love stories. — © George Sand
almost all novels are love stories.
Writing short stories was kind of like I was cheating the whole time, in some way. I went back and forth between writing the novels and sort of sneaking out to work on stories occasionally. These stories were written over the last 10 years or so, as I was taking breaks from the novels I've written.
Movies are not novels, and that's why, when filmmakers try to adapt novels, particularly long or complex novels, the result is almost always failure. It can't be done.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels.
I prefer short stories, but publishers would, of course, rather that writers produce novels, since novels are still more commercially viable.
I have read all my novels that were translated into English. Reading my novels is enjoyable because I forget almost all the content in them.
You'll notice that my books offer great variety. Some are for adults, some for children and some for teens. There are mysteries, historical novels, picture books, love stories and stories of crisis and courage.
Bigger stories are made out of longer acquaintance with fact and character, but I also love the tiny stories in which almost everything has to be inferred and imagined.
With almost every book I've written, my secret target audience is the young therapist. In this way, I am staying in my professorial role; I'm writing teaching stories and teaching novels.
Very young children love and demand stories, and can understand complex matters presented as stories, when their powers of comprehending general concepts, paradigms, are almost nonexistent.
I'm not writing novels, the screenplays are my novels, so I'm gonna write it the best that I can. If the movie never gets made, it'd almost be okay because I did it. It's there on the page.
I love to read stories. And I don't to get to talk about my favorite novels very often in my job.
For a long time, since story collections look almost precisely like novels, I presumed that they were meant to be enjoyed in the same way as novels.
I could read at a very early age and I loved stories, losing myself in stories, novels.
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