A Quote by George Santayana
Poetry is an attenuation, a rehandling, an echo of crude experience; it is itself a theoretic vision of things at arm's length.
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As a general rule, fans and idols should always be kept at arm's length, the length of the arm to be proportionate to the degree of sheer idolatry involved. Don't take a Beatle to lunch. Don't wait up to see if the Easter Bunny is real. Just enjoy the egg hunt.
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
Palestinian society is filled with poetry, but not experimental poetry. The Palestinian poetry that people know is not the modernist experimentations, it's certain kinds of poetry that lends itself to recitation and song and things like that.
One way poetry connects is across time. . . . Some echo of a writer's physical experience comes into us when we read her poem.
I definitely tell things at arm's length but that is conscious. No part of me wants everybody to know what's going on.
Poetry is related to philosophy as experience is related to empirical science. Experience makes us acquainted with the phenomenon in the particular and by means of examples, science embraces the whole of phenomena by means of general conceptions. So poetry seeks to make us acquainted with the Platonic Ideas through the particular and by means of examples. Philosophy aims at teaching, as a whole and in general, the inner nature of things which expresses itself in these. One sees even here that poetry bears more the character of youth, philosophy that of old age.
After the fever of life--after wearinesses, sicknesses, fightings and despondings, languor and fretfulness, struggling and failing, struggling and succeeding--after all the changes and chances of this troubled and unhealthy state, at length comes death--at length the white throne of God--at length the beatific vision.
The psyche is highly flammable material. So we are always wrapping things in asbestos, keeping our images and fantasies at arm's length because they are so full of love
One of the things that distinguishes poetry from ordinary speech is that in a very few number of words, poetry captures some kind of deep feeling, and rhythm is the way to get there. Rhythm is the way the poetry carries itself.
The idealism of Berkeley is only a crude statement of the idealism of Jesus, and that again is a crude statement of the fact thatall nature is the rapid efflux of goodness executing and organizing itself.
Keep things at arm's length... If you let anything come too near you want to hold on to it. And there is nothing a man can hold on to.
In Bach there is still too much crude Christianity, crude Germanism, crude scholasticism; he stands on the threshold of European (modern) music, but he looks back from there to the Middle Ages.
Poetry should describe itself, and always be simultaneously poetry and the poetry of poetry.
In some Mayan villages they even have a stage beyond the elder that they call the Echo Person. They say that when an Echo Person, whether a man or a woman, speaks, the words echo both in this world and in the other world. That's why they are called Echo People.
I think the [fan] access is complicated, because it brings wonderful things into my life, and it brings really negative things into my life. I just try to keep the negative stuff at arm's length. Laugh at it and walk away.
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