A Quote by George Santayana
In this world we must either institute conventional forms of expression or else pretend that we have nothing to express; the choice lies between a mask and a figleaf.
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In order to translate a sentence from English into French two things are necessary. First, we must understand thoroughly the English sentence. Second, we must be familiar with the forms of expression peculiar to the French language. The situation is very similar when we attempt to express in mathematical symbols a condition proposed in words. First, we must understand thoroughly the condition. Second, we must be familiar with the forms of mathematical expression.
God is present in the moment of choice, not in order to watch but in order to be chosen. Therefore, each person must choose. Terrible is the battle, in a person's innermost being, between God and the world. The crowning risk involved lies in the possession of choice.
No choice we can make as a nation lies between our history and our geography. We can hardly change either of them. They are immutable. The only choice we can make as a nation is the choice about our future.
Lies 1: There is only the present and nothing to remember. Lies 2: Time is a straight line. Lies 3: The difference between the past and the futures is that one has happened while the other has not. Lies 4: We can only be in one place at a time. Lies 5: Any proposition that contains the word 'finite' (the world, the universe, experience, ourselves...) Lies 6: Reality as something which can be agreed upon. Lies 7: Reality is truth.
Do you know of any more overwhelming and humbling expression for God's condescension and extravagance towards us human beings than that He places Himself, so to say, on the same level of choice with the world, just so that we may be able to choose; that God, if language dare speak thus, woos humankind - that He, the eternally strong one, woos sapless humanity? Yet, how insignificant is the young lover's choice between her pursuers by comparison with this choice between God and the world.
Being an actor is a matter of choice that, above all, takes place at an existential level: either you express the conservative structures of society and are nothing more that a tool in the hands of power, or you address the progressive components of this society in an attempt to settle a revolutionary relation between art and life.
We must practice revolutionary democracy in every aspect of our Party life. Every responsible member must have the courage of his responsibilities, exacting from others a proper respect for his work and properly respecting the work of others. Hide nothing from the masses of our people. Tell no lies. Expose lies whenever they are told. Mask no difficulties, mistakes, failures. Claim no easy victories.
Hide nothing from the masses of our people. Tell no lies. Expose lies whenever they are told. Mask no difficulties, mistakes, failures. Claim no easy victories.
Sanity lies somewhere between the inhibitions of conventional morality and the looseness of extreme impulse, but the area in-between is very fuzzy.
A man who was merely a man and said the sort of things Jesus said wouldn't be a great moral teacher. He'd be either a lunatic on a level with a man who says he's a poached egg or else he'd be the devil of hell. You must make your choice. Either this man was, and is, the Son of God, or else a madman or something worse.
There is a choice before us as people who live in a great world, so knit together that even America cannot stand quite outside it, or act as though it were situated somewhere on the moon! That choice is a choice - let me put it quite brutally - between heaven and hell. ... But it is not a choice between a heaven or a hell beyond the grave; it is a choice between making heaven or making hell on this side of the grave, and in this world, here and now.
I think seriousness is a mask of self-importance and self-importance in turn is a mask for self-pity. So if you're really going to pursue a spiritual way of living in the world, you must be lighthearted and carefree, have humor, be able to tolerate ambiguity and embrace uncertainty, and be forgiving of yourself and everybody else.
There is a cyclone fence between ourselves and the slaughter and behind it we hover in a calm protected world like netted fish, exactly like netted fish. It is either the beginning or the end of the world, and the choice is ourselves or nothing.
An artist must find his expression closely linked to his individual experience or else follow in the old grooves resulting in lifeless forms.
Sometimes people pretend to be someone else and act in a different way, everyone carries an invisible mask.
For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art.
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