A Quote by George Santayana

Profound skepticism is favorable to conventions, because it doubts that the criticism of conventions is any truer than they are. — © George Santayana
Profound skepticism is favorable to conventions, because it doubts that the criticism of conventions is any truer than they are.
There is a kind of courtesy in skepticism. It would be an offense against polite conventions to press our doubts too far.
You don't want to move toward some utopian literary situation where everybody's free of all conventions. That's ridiculous! Conventions are what you need. You have nothing to break down if you don't have conventions.
Let's give the conventions back to the politicians. If we think there's any news, we can tack it on afterward as commentary. But the conventions should be their show, not ours.
I understand now that boundaries between noise and sound are conventions. All boundaries are conventions, waiting to be transcended. One may transcend any convention if only one can first conceive of doing so.
From the beginning of the presidential nominating conventions in the 1830's really through the 1950's, you had conventions that actually did real business.
Once women begin to question the inevitability of their subordination and to reject the conventions formerly associated with it, they can no longer retreat to the safety of those conventions.
A citizen sticks to conventions, does whatever is social. Artists, of course, must reject all conventions. I see no differently in reconciling the best of both of these worlds.
Working for the 'Miami Herald' in 1972, I covered street action for both the Republican and Democratic national conventions in Miami and saw probably the most violent conventions ever - more violent than even 1968 in Chicago.
Anyone who believes that the laws of physics are mere social conventions is invited to try transgressing those conventions from the windows of my apartment. (I live on the twenty-first floor).
Presidential candidates don't get quite the upward favorable rating surge they used to after their nominating conventions.
I do these conventions sometimes. We've been doing a lot of 'The Vampire Diaries' conventions, but I do Comic-Con and stuff all over the world. They can be taxing, and they can take it out of you a little bit, but it's just great for the fans.
I do conventions sometimes every other weekend. Whenever I have time, and it's not too far away. I get a lot of invitations (to appear at conventions) in other countries and I have to turn them down.
Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.
When people see the conventions, they think they're going to get the straightforward genre - I don't give them that and they get mad. People see that and they think I don't understand the conventions because I'm not a good filmmaker.
I love when I go to conventions, and often it'll be the younger kids who will refer to us by our character names - how can you not find that absolutely charming? I remember when I used to go to conventions when I was a kid when I would stand in long lines to get people's autograph.
I like to play with the conventions around what we expect of paintings historically. But I also like to play with the conventions that you expect from a Kehinde Wiley painting, too.
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