A Quote by George Santayana
The arts must study their occasions; they must stand modestly aside until they can slip in fitly into the interstices of life.
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If we are to survive the Atomic Age, we must have something to live by, to live on, and to live for. We must stand aside from the world's conspiracy of fear and hate and grasp once more the great monosyllables of life: faith, hope and love. Men must live by these if they live at all under the crushing weight of history.
We must use words as they are used, or stand aside from life.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
To study men, we must look close by; to study man, we must learn to look afar; if we are to discover essential characteristics, we must first observe differences.
Life can give you strength. Strength can come from facing the storms of life, from knowing loss, feeling sadness and heartache, from falling into the depths of grief. You must stand up in the storm. You must face the wind and the cold and the darkness. When the storm blows hard you must stand firm, for it is not trying to knock you down, it is really trying to teach you to be strong.
Some things you know all your life. They are so simple and true they must be said without elegance, meter and rhyme...they must be naked and alone, they must stand for themselves.
I believe so, but at first he must know. He must know in which spirit Beethoven has composed this piece. He must try to study that. And he must find out in which station of life of Beethoven he did.
We cannot stand still or slip backwards. We must go forward now together.
For better to come, good must stand aside.
I must keep alive in myself the desire for my true country, which I shall not find till after death; I must never let it get snowed under or turned aside; I must make it the main object of life to press on to that other country and to help others to do the same.
The artist's personality must be left in his dressing-room; his soul must be denuded of its own sensations and clothed with the base or noble qualities he is called upon to exhibit.... [he] must leave behind him the cares and vexations of life, throw aside his personality for several hours, and move in the dream of another life, forgetting everything.
The master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher - in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light ofthe past for the purposes of the future
We must be united, we must be undaunted, we must be inflexible. Our qualities and deeds must burn and glow through the gloom oEurope until they become the veritable beacon oits salvation.
He who would study nature in its wildness and variety, must plunge into the forest, must explore the glen, must stem the torrent, and dare the precipice.
Somehow, some way, every person in the arts has to find an accommodation with disappointment and embarrassment. They are the pollen in the air we breathe. If you must go into the arts, go into them for yourself alone. On some basic level you must enjoy the act of doing it ... Otherwise, you are going to end up frustrated and unhappy. Recognition in the arts is luck and gravy.
The writer's role is to menace the public's conscience. He must have a position, a point of view. He must see the arts as a vehicle of social criticism and he must focus on the issues of his time.
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