A Quote by George Saunders
I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I'm George. You know, I'm with The New Yorker. I'm a liberal. I'm somewhat left of Gandhi. Do you want to talk? And, you know, they always did.
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Every man has to settle down eventually. You know why you gotta settle
down eventually? Because you don't want to be the old guy in the club.
You know what I'm talking about. Every club you go into, there's always
some old guy. He ain't really old, just a little too old to be in the
club.
Tiger Woods has been unlucky with his body. I don't know whether some of it is self-induced or some of it is just unlucky. But we never know what happens with guys.
I just know you can not be on top forever. There's always going to be the next guy, and if I'm going to go down, I'd like to know I helped the next guy take my spot. You can't prevent the inevitable, but you can join the ship.
People are paralyzed on a football field. People die. You just never know when it's going to be your last moment. I was the kind of guy who would never talk to my wife on game day. Now I'm the guy who's like, 'I love you.' I want my children to know I love them because I don't know what's going to happen out there.
I've never felt more American than I did when I moved to England. It becomes a real kind of part of your identity: "Oh, Ben. He's the American guy." I think when you say you're from New York you get a different reception then if you just say, "I'm American." So I'd always kind of make sure I was a New Yorker first.
You know how some people are unlucky in love? I was always unlucky in exercise. I'd get into a relationship with a workout program or guru, we'd go steady for a few intense months, and then we'd have a really ugly breakup.
If you write for the New Yorker, you always get people critiquing your grammar, you can count on it. So, because a lot of New Yorker readers are kind of, you know, amateur grammarians and so you do get a lot of that.
I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more.
I stay around for two or three hours after every show signing and taking pictures with everybody, and people come up and say hi and they say, "I didn't know what to expect but it was so different to what I imagined, it was so cool". I want to believe they're not lying. You know so, some people don't get it, some people do.
I've - that I regret. That was stupid and ignorant on my part. I went to a party as a guest of a friend of mine, a lawyer. And he had a client who I didn't know, except - maybe I'm pretending I didn't know, but he was a big investor in The New Yorker. And as I found out later in a book about The New Yorker, this guy was very unhappy about [Bill] Shawn.He thought Shawn was spending out - spending too much money on writers.
Next caller. Betty, you're on the air. What's your question ?" "Hi, Kitty. I just wanted to know, are you going out with that Cormac guy from last month?" My jaw dropped. "What?" "Are you going out with that Cormac guy?" "We are talking about the same Cormac who tried to kill me on the air, yes? the guy who hunts werewolves for a living ?" "Uh-huh." "And you want to know if I'm dating him ? Why on earth do you think that's a good idea?
If you lived next door to me and didn't know what I did, you wouldn't know I was a celebrity. I don't have that lifestyle, nor do I want that lifestyle. I want to know that I can have a separate life with my wife and my kids and just be normal and go camping and fishing and outdoor stuff.
When I go to see people, I always kind of hope they are going to play some kind of songs I know. So you've got to know your audience. It's kind of something that is a blessing and a curse in a way. You're obligated to play some of that stuff that people know, but I don't think that's all you have to do.
Many times, people have come up to me after singing some songs, and they'd say, 'Richie, do you know what you did?' And I'd say, 'What?' And they'd go, 'I wrote these songs down for you to sing, and you sang them all in a row.' But that's the kind of communication that happens, you know.
It's funny to be discovered by a lot of people who didn't know you before. People always used to say, 'Do you shop at Home Depot?' or 'Does your kid go to such and such school?' They want to know why they know me, even if they don't know my name. I don't think that's a bad thing, by the way; I think it's nice to be kind of anonymously famous.
But you know, where did the Brontes go to college? Where did George Eliot go to college? Where did Thomas Paine or Thomas Jefferson or George Washington go? Did George Washington go to college? This idea which we now have that people ought to have these credentials is really ridiculous. Where did Homer go to college?
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