A Quote by George Saunders

Every writer has to find the thing to keep her eye on about which she has strong opinions. That's of course deeply personal, but the nice thing is that it has to do with joy rather than fear. It has to do with you. If you're funny, your method will be to try to be funnier. Which again is empowering I think.
The funny thing about directing is that you have your own opinions, but it's a collaboration. Directing is a group effort. Even though you might think something works, the smartest thing you can do as a director is try and weigh the opinions of the people around you.
She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt or fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build laughter out of inadequate materials....She seemed to know that if she swayed the family shook, and if she ever deeply wavered or despaired the family would fall.
And, despite the care which she took to look behind her at every moment, she failed to see a shadow which followed her like her own shadow, which stopped when she stopped, which started again when she did and which made no more noise than a well-conducted shadow should.
For a moment she turned in a circle, staring at her hands, which she held high and useless, close to her breast. She bobbed and shambled like an ape doing a trick, and her face was the silly, bewildered face of a joker's victim. And yet she could make no move that was not beautiful. Her trapped terror was more lovely than any joy that Molly had ever seen, and that was the most terrible thing about it.
Nothing is funnier than unhappiness, I grant you that… Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.
Love your material. Nothing frightens the inner critic more than the writer who loves her work. The writer who is enamored of her material forgets all about censoring herself. She doesn't stop to wonder if her book is any good, or who will publish it, or what people will think. She writes in a trance, losing track of time, hearing only her characters in her head.
The wide world was changing, and she wanted a different place in it. Not just wanted, but felt she deserved. If the world didn't owe her a living, as her mother repeatedly warned her, it owed her a break. She had a strong sense that a better, more exciting, more rewarding life than that which had been the lot of her parents and grandparents was hers by right. In this she was guilty of nothing more serious than the arrogance of youth, from which every generation suffers and by which it distinguishes itself from the preceding one.
A lean cheek; which you have not: a blue eye, and sunken; which you have not: an unquestionable spirit; which you have not: a beard neglected; which you have not: — but I pardon you for that; for, simply, your having1 in beard is a younger brother's revenue: — Then your hose should be ungarter'd, your bonnet unhanded, your sleeve unbuttoned, your shoe untied, and every thing about you demonstrating a careless desolation.
Liberty is a harsh mistress. You cannot pick and choose what you like and dislike about her. Liberty will not change her principles for you, no matter how much you claim to love her. She will stand fast in her demands for total acceptance. If you can't receive her, she will recognize you as a false lover and leave you. And when you hear that door slam, it will take every tear in your eye, every ounce of blood in your veins, and all the nerve in your heart to win her back.
Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person.
The old rule about how a thing of beauty is a joy forever, in my experience, even the most beauteous thing is only a joy for about three hours, tops. After that, she'll want to tell you all about her childhood traumas. Part of meeting these jail girls is it's so sweet to look at your watch and know she'll be behind bars in half an hour.
She, too, spoke only when the queen or king addressed her first, but she looked searchingly at every supplicant, and her clear face said that she had opinions about everything she heard, and that it was her proud duty to think out those opinions, and make them responsible and coherent.
I've just always felt it's an incredibly empowering thing, particularly for young women, to capitalize on their coordination and their strength. It's a very empowering thing to feel strong in your body.
Every woman whether rich or poor, married or single, has a circle of influence within which, according to her character, she is exerting a certain amount of power for good or harm. Every woman, by her virtue or her vice, by her folly or her wisdom, by her levity or her dignity, is adding something to our national elevation or degradation. A community is not likely to be overthrown where woman fulfills her mission, for by the power of her noble heart over the hearts of others, she will raise that community from its ruins and restore it again to prosperity and joy.
There will always be a part of you that misses her. You'll see something that reminds you of her and want to tell her about it, only to realize she's not there anymore. Then you'll feel her loss all over again. (Ravyn) You're not helping me, Ravyn. (Jack) I know, buddy. But you will eventually make peace with yourself, and that's the most important thing. Eventually, you'll even be able to smile again when you think about her. (Ravyn)
I try to be objective about technology. Agnostic, in a sense. Whatever personal opinions I form tend to have more to do with what we find to do with the new thing.
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