A Quote by George Saunders
I don't know how you feel, but I feel like writing, clarity of thought, and truth have been validated because we see what happens when we get lax in those areas. I'm excited by the idea that writers like us can actually reach out and try to understand and prod and agitate the people who are in support of Trump because we have the tools to do it. We're language people and we're idea people.
Related Quotes
I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.
I really learned that, when I got into television, I really learned the power, how deeply it affects people to see themselves on television, to see something that they can relate to, that they feel is like them in some way; people feel validated. Its not a little thing. It really means a lot to people. It actually can change people.
I feel like... I don't have a wife, I don't have a kids, but... I see rappers and I'm like, I know that's fake. I know how much you make, this is all bullshit. But people are buying into it, and you shouldn't have that power. I'm legit trying to make honest moves so that all of us can grow. I want to make a show where my sister can work on and become a producer because she can't get in, no one's leting her. I want to make things where people can actually grow. A place where people can actually be honest.
Writing a book is something I actually feel like I could do. I don't know when that would happen, but I feel like if the right idea strikes, whether it be short stories or a novel or even a memoir that would be more substantial than most of the comedian memoirs people put out where it's big font and all the chapters are like ten pages long.
If you're struggling, it's easy to feel powerless until you take control of it and assert what you want. I can understand that feeling. I can understand how it feels to be alone, to not want to get help from people and to not trust people who are actually wanting the best for you. I feel like that's true for a lot of people, actually.
If I can convince people that their idea is great, and know inside that their idea was actually a little my idea, then I feel okay. I don't feel too douchey.
The truth that people are missing about certain things, you know when they get fearful and they get hateful, and they repress other peoples, is the greatest truth of all, you know, the truth of love and understanding and clarity about all those issues. And it's like, one day, one day, everybody's gonna know, myself included, over certain things. But, so it's like, it's alright, you know, you hate me now, but that's cool, because I see a better day and I know that there's a higher truth, and you're wrong about hating me because I'm gay.
I wouldn't be able to do the songs as long as I've been doing if I didn't feel the pulse of the world. But I can feel people and I know what they want. I feel like I know how they are, because I am the people. And I just have a gift.
I don't need to feel 100% safe, but I have to feel like there's room for me to go a little bit insane if I'm going to have good ideas. Because a good idea is a new idea and if you start going around like, "I have this new idea!" most people are gonna be like, "I've never heard that before, that sounds fishy."
I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.
I feel like New Yorkers get stereotyped as , but I feel like they are the most friendly. I feel like you get to know people in a day, where in L.A., I am isolated in my car because I never get to talk to people as much.
I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.
I feel like I'm doing something that's worthwhile. I feel like I'm showing something other people haven't shown. I don't get to talk to the people who I photograph, I just go, along, banging away. So I don't really have a relationship with them. A lot of people think it's very important. I don't. It's like love at first sight. I have an impression when I see somebody, and I have an idea of who they are, or what they are.
Speaking, when you have something to say, is like looking. But who looks? If people could see properly, and see whole, they would all be painters. And it's because people have no idea how to look that they hardly ever understand.
I have an abiding interest in how ordinary people produce knowledge, and what it means for individuals to know the world. I thought I'd be a theoretical physicist because I love physicists' views of the world - I find general relativity and quantum theory thrilling - but I have always felt uneasy with the idea of an Ultimate Truth. One of the functions of science is to help us instrumentally; it helps us to build things like microchips and GPS satellites. But another function of science in the modern world is to help us feel "at home in the universe".
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer