A Quote by George Saunders
Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
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Because we would not wear any clothes because it was so hot and the windows open and the swallows flying over the roofs of the houses and when it was dark afterward and you went to the window very small bats hunting over the houses and close down over the trees and we would drink capri and the door locked and it hot and only a sheet and the whole night and we would both love each other all night in the hot night in Milan. That was how it ought to be.
It was the first time I was looking, really, right after the storm, that I saw maybe the amount of devastation that had happened in the Lower Ninth Ward. Where my friends lived, which was about six blocks from where the industrial canal was, houses was smashed into houses, and there were, like, four houses smashed together.
Maybe they would look at each other and feel some odd yearning, but neither of them would know why. They would want to stop, but they would be embarrassed, and neither would know what to say. They would go their separate ways. Who knew? Maybe that happened every day to people who'd once loved each other.
We moved around a ton when I was a kid. I think we lived in 9 different houses before I was 15 - we moved from the city back to the suburbs; different suburbs, different houses, all over the place.
I've always had a fascination with interior design. As a kid, I used to go to real estate open houses with my parents on the weekends. Like a nerd! I would think of how I would piece rooms together at those open houses.
As a kid I did enjoy building things; learned quickly how to make gun powder. I built sleighs, forts, houses in the back yards of houses.
I try to work on houses not cars. If I was as good at working on cars as I was on houses maybe I would. But I'm not.
She thought she would know when it happened. But now, as she looked around, she wondered if it was really like that at all. Maybe it happened in a million different ways, when you were thinking of it and you weren't. Maybe there was no gap, no jump, no chasm. You didn't forget yourself all at once. Maybe you just looked around one time or another and you thought, Hey. And there you were.
Ask yourself whether our language is complete--whether it was so before the symbolism of chemistry and the notation of the infinitesimal calculus were incorporated in it; for these are, so to speak, suburbs of our language. (And how many houses or streets does it take before a town begins to be a town?) Our language can be seen as an ancient city: a maze of little streets and squares, of old and new houses, and of houses with additions from various periods; and this surrounded by a multitude of new boroughs with straight regular streets and uniform houses.
Now I have been studying very closely what happens every day in the courts in Boston, Massachusetts. You would be astounded--maybe you wouldn't, maybe you have been around, maybe you have lived, maybe you have thought, maybe you have been hit--at how the daily rounds of injustice make their way through this marvelous thing that we call "due process.
Brantford was the fixed point of my universe, growing up. Both sets of grandparents lived there, with various cousins and uncles and aunts, and no matter how far we'd moved off, we came back there for regular visits. In a way no other houses have ever been, my grandparents' houses were 'home,' and the sale of the last of those houses was hard.
I don't know why it (stardom) happened-but it's kinda nice. Maybe it's because I'm someone off the streets. Maybe people relate to me.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
Been having a fight with your blankets, Septimus?" A familiar voice echoed down the chimney. "Looks like you lost," the voice continued with a chuckle. "Not wise to take on a pair of blankets, lad. One, maybe, but two blankets always gang up on you. Vicious things, blankets.
I was hoping, actually, that being on the other side of the camera in a scary movie, see how it's filmed and maybe you won't be as scared next time you watch one... didn't really work out! Because I know it's fake, but I just get so into it.
When you have these moments where a song connects with people and creates a conversation, it's quite a humbling experience because it's like, 'Maybe there is a little bit more weight to this job than I thought there ever was before.' Which was wonderful that that happened with 'Dead Boys.'
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