A Quote by George Saunders
One of the principals of composition, I would say, in fiction, is you want to do what you can do a lot of. You want to do what you're enthusiastic about and what rings your bell. In this case, almost every decision I made was on that basis.
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I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
The great miraculous bell of translucent ice is suspended in mid-air. It rings to announce endings and beginnings. And it rings because there is fresh promise and wonder in the skies. Its clear tones resound in the placid silence of the winter day, and echo long into the silver-blue serenity of night. The bell can only be seen at the turning of the year, when the days wind down into nothing, and get ready to march out again. When you hear the bell, you feel a tug at your heart. It is your immortal inspiration.
So I didn't pass. It was the army's decision that they didn't want me to go into the service. They're the boss. I don't want to say no whole lot about it.
Not to want to say, not to know what you want to say, not to be able to say what you think you want to say, and never to stop saying, or hardly ever, that is the thing to keep in mind, even in the heat of composition.
I had already made a decision early on that I would be a plain girl with tons of personality, and accepting it made everything a lot easier. If you are lucky, there is a moment in your life when you have some say as to what your currency is going to be. I decided early on it was not going to be my looks. I have spent a lifetime coming to terms with this idea and I would say I am about 15 to 20 percent there.Decide what your currency is early. Let go of what you will never have. People who do this are happier and sexier.
Composition in photography is almost as varied as composition in music or words -- melodic or atonal, safe or daring -- and can enhance subject, theme, and style. Every photograph you take involves you in some compositional decision, even if this is simply where to set up the camera or when to press the button.
Each decision will be done on a case-by-case basis and we'll make the decision we feel is best for the New England Patriots football team.
In boxing, it just seemed to me from the time I was a very small child, we have a peculiarly civilized form in that boxers don't screech and holler. They don't use weapons. When the bell rings, they fight; when the bell rings again, they stop.
I don't think I know enough about acting to direct. You need to be a slight megalomaniac, not where you want to take over the world, but where you want to make every single decision and the buck stops with you. It's an awful lot of stress.
Any decision that's made about my career is ultimately my decision, and it's helped me not to plan too much. I've never been the guy thinking, 'I want to do a play this year, I want to do this kind of movie or this kind of character.' I don't have that sort of control.
I say, make the decision, and as soon as you make the decision, the rest of your life you just manage that decision on a daily basis.
Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great.
Usually, when Nirvana made music, there wasn't a lot of conversation. We wanted everything to be surreal. We didn't want to have some contrived composition.
You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
What would a man of God say, who felt aright, when Joseph asked him for his money? He would say, 'Yes, and I wish I had more to help to build up the Kingdom of God.' Or if he came and said 'I want your wife?' 'O Yes,' he would say, 'here she is, there are plenty more.' ... Did the Prophet Joseph want every man's wife he asked for? He did not... If such a man of God should come to me and say, 'I want your gold and silver, or your wives,' I should say, 'Here they are, I wish I had more to give you, take all I have got.'
I don't want to write poems that are just really clear about how I'm aware of all the traps involved in writing poetry; I don't want to write fiction that's about the irresponsibility of writing fiction and I've thrown out a lot of writing that I think was ultimately tainted by that kind of self-awareness.
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