A Quote by George Saunders

In my personal and spiritual life, I reject that. I don't believe in that. I'm always trying to get my mind into a less judgmental place, making less rigid judgments about things like "perverse" versus "pure." But in terms of prose, those sorts of oppositions seem to work.
When you're younger, you worry about the sack and getting abuse and things, but when you get to my age, you become less bothered about those things. It becomes more like a hobby and less like life or death.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.
As you become older, you become less judgmental and take offense less. But marriage is hard work; the illusion that you get married and live happily ever after is absolute rubbish.
Personally, I never believe an artist saying "I do it for myself" is saying the truth, because why would you go through the trouble of making something that goes out into the world if you didn't care about somebody else seeing it? It's like the difference between those who choose "more comfortably termed entertainment" versus what people think of as the "art life," which is supposedly more monastic or spiritual. I don't believe in those distinctions.
It would be fair in terms of justice that those who believe in 'Life After Death' live much less than those who do not believe in such a thing!
As you get older you don't want to just do the same thing, otherwise there's not much point. I think it's more or less trying to write things that, perhaps, say more by doing less, or you're always trying to refine things, make things a little simpler, a little more essential.
It is a perverse faith, in that it reveres the "environment" ahead of people who live in it. It is a most ascetic superstition, in that it demands we live less happily and less freely and with less prosperity - the opposite of, say, the Protestant work ethic that helped build Ontario.
The deeper I get into my life as a musician, I'm discovering that it becomes less and less about other people, and more about what I want to do. And that's a good place to be.
Maybe Italians are a bit less restrained: they can be less rigid and sometimes they stray a little in their ways of dressing for work, which is something that is always linked to the formal suit. What we like of both Italians and the British is that they love to dress well. In the past ten years we have witnessed a revolution in the menswear market.
In my travels I have found that those who keep Heaven in view remain serene and cheerful in the darkest day. If the glories of Heaven were more real to us, if we lived less for material things and more for things eternal and spiritual, we would be less easily disturbed by this present life.
Essentialism is not about how to get more things done, it's about how to the get the right things done. It doesn't mean just doing less for the sake of less either. It is about making the wisest possible investment of your time and energy in order to operate at our highest point of contribution by doing only what is essential.
Since becoming a mother, I'd say it's more so affected my general outlook on things. I'm less worried about everything. Less scared to make those numbers that people think are standard or less scared to create something that maybe I don't think people are going to like, because it's all about if I like it. I need to be happy.
Without touching my subject I want to come to the moment when, through pure concentration of seeing, the composed picture becomes more made than taken. Without a descriptive caption to justify its existence, it will speak for itself - less descriptive, more creative; less informative, more suggestive - less prose, more poetry.
There is a perverse comfort zone to living a small life. For women, that zone has to do with the fact that we're less likely to be challenged, we're less likely to be criticized, we're less likely to be called angry or strident, if we simply go along and acquiesce to the prevailing patterns of thought and behavior.
Divorce was the darkest, saddest place I had ever been. It was a struggle - there were a good four or five months of not being able to get out of bed. It was the worst time in my life. You get through it. It's a process that's not easy, but I get less and less sad about it every day.
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