A Quote by George Saunders

As a kid, I had a real fascination with perverse, off-color, and kind of risky things, and I also had a very sanctimonious Catholic, purist side. — © George Saunders
As a kid, I had a real fascination with perverse, off-color, and kind of risky things, and I also had a very sanctimonious Catholic, purist side.
Growing up in New Orleans, my mom and dad were churchgoers. I would go to church with them. Also, I was going to a Catholic school so I had a fascination with the Catholic Church mainly because, in my mind, (their services) didn't take as long. I was bouncing in between my mom's Baptist church, which was called Second Zion Baptist, and going to a Catholic Church.
I'm a very visual thinker, so the characters are running through my head, doing what they're doing when I'm writing them. And there'll be moments where I'll just kind of throw a look off to the side as if I'm talking to one of the characters. It's always been something that I've had with me since I was a little kid.
He had read books, newspapers and magazines. He knew that if you ran away you sometimes met bad people who did bad things to you; but he had also read fairy tales, so he knew that there were kind people out there, side by side with the monsters.
I couldn’t see Pritkin’s face very well, just a pale blur against the shadows, but he didn’t sound happy. Some people thought he had only one mode... pissed off. In reality, he had plenty of them. Over the past few weeks, I’d learned to tell the difference between real pissed off, impatient pissed off and scared pissed off. I suspected that this was the last kind. If so, that made two of us.
The greatest promotion I ever had on a newspaper was when 'The Washington Post' suddenly promoted me from city-side general assignment reporter to Latin American correspondent and sent me off to Cuba. Fidel Castro had just come to power. It was a very exciting assignment, but also very serious.
I really turned into, you know, the real street kid. I was kind of like a runaway, but I had a mother, you know what I mean, and I had a place to stay.
From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.
Before I had a kid, I was off in some kind of cosmic state all of the time, and thinking about the world beyond, thinking about intellectual stuff. And then, after I had a kid, just the whole process of giving birth is just so earthy and grounding and insane and it's all just an intense physical ordeal.
The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'
I have known plenty of people who, in their later years, had the energy of children and the kind of curiosity and fascination with things like little children. I think we can keep that, and I think it's important to keep that part of staying young. But I also think it's great fun growing old.
One person in the 60s fascinated me more than anybody I had ever known. And the fascination I experienced was probably very close to a certain kind of love
I'm kind of a purist and I actually just want to be a good player, with that said though... I probably should get a little more involved in that as that's what people are doing and making great songs out of their computer so it's kind of like, at what point does purist become arrogance?
I had kind of a mean piano teacher. I went to Catholic school, so it was like the typical thing you would imagine - a little kid with a white-haired teacher frowning at the fact that I didn't practice.
I've had watermelon hair where I had pink with green tips. From the age of 13 to about 19 or 20, I never had my real hair color.
I was aware that I had to pay off things in a convincing emotional fashion, that I had to address the lingering plot points in some real tangible sense, and that I had to make this a self-contained novel, in case I'm run over by a bus tomorrow or in case there's no demand for anyone to ever see a sequel. (Two things that I hope don't happen, incidentally.)
I haven't had any injuries since I've had my kid, so I think it's changed my body externally and internally. I don't know what it is, but I hadn't felt so great, body-wise, until I had my kid. I look more in shape, and I feel more in shape. And speaking from a confidence side, it's changed me in such a positive way.
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