A Quote by George Saunders
It's funny with fiction - once you cut something, it hasn't happened anymore.
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One second here and there will make all the difference between something being funny and not being funny. That's why I like going, 'Well, we wrote that six months ago, and it was funny one time we read it, but it's not funny anymore. So what? Just dump it.'
Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemd a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore... Warm with life, hopeless unstable.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
Once you finish a book, it doesn't belong to you anymore. You're giving it to other people. If something in what a writer writes can excite the imagination and the feelings of the reader, then that reader carries it around forever. Nothing is more vivid than good fiction.
Once you've heard the joke, it's not funny anymore, but it's the way it's told. And I think that's the same with the music: The reason some of my songs have lasted longer is there's a lot of stuff packed in there. You want to hear them more than once.
Something magical happened when I turned 25 - I looked in the mirror and was like, 'You might not get carded for an R-rated movie anymore.' Like I didn't have a little stick figure anymore.
I'm not so funny. Gilda was funny. I'm funny on camera sometimes. In life, once in a while. Once in a while. But she was funny. She spent more time worrying about being liked than anything else.
It's funny what memory does, isn't it? My favorite holiday tradition might not have happened more than once or twice. But because it is such a good memory, so encapsulating of everything I love about the holidays, in my mind it happened every year. Without fail.
The inspiration to write a song comes to me when something has happened to me more than once. If it's happened to me more than once, it's probably happened to other people.
I tend to take [ to Bridget Jones Diaries] something that nearly happened, or might have happened, and then exaggerate it to make it funny and to make it tie into the themes.
Once committed to fight, cut. Everything else is secondary. Cut. That is your duty, your purpose, your hunger. There is no rule more important, no commitment that overrides that one. Cut. Cut from the void, not from bewilderment. Cut the enemy as quickly and directly as possible. Cut decisively, resolutely. Cut into the enemy’s strength. Flow through the gaps in his guard. Cut him. Cut him down utterly. Don’t allow him a breath. Crush him. Cut him without mercy to the depths of his spirit." -Richard Rahl
To me, writing is remembering something funny that happened, or maybe something I said seven years ago.
Something is funny, most of all, because it's true, and because the velocity of insight into this truth exceeds our normal standards. Something is funny because it's outside our accepted boundary of decorum. Something is funny because it defies our expectations. Something is funny because it offers a temporary reprieve from the hardship of seeing the world as it actually is. Something is funny because it is able to suggest gently that even the worst of our circumstances and sins is subject to eventual mercy.
I went through in the edits and cut tons of stuff that was "funny" because if it wasn't funny at the time, so it shouldn't be funny now. It's about having that unity of experience. You have to try and take away your hindsight knowledge of a situation.
Is everything funny? For me, yes. There's a positive to every negative. Even my divorce? For me, yes. If you go back and look at it, why it happened or how it happened, there's something in there that'll make you laugh.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
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