A Quote by George Saunders

The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
There's a lot of mystery just inherent in the story of 'Descender.' There's sort of a central mystery that runs throughout it.
The artist’s job, I think, is to be a conduit for mystery.
We don't tend to ask where a lake comes from. It lies before us, contained and complete, tantalizing in its depth but not its origin. A river is a different kind of mystery, a mystery of distance and becoming, a mystery of source. Touch its fluent body and you touch far places. You touch a story that must end somewhere but cannot stop telling itself, a story that is always just beginning.
The fundamental difference between the mystery story and the ghost story is the fact that a mystery demands a solution for its effectiveness; a ghost story is necessarily unsolvable; the reader must be willing to accept the fact that nothing is proved.
In 'Lost,' they really believed in the mystery box and not looking too much inside the mystery box. It was some kind of idea generator that you didn't need to dissect and open up. And that's absolutely fascinating and an engaging way to tell a story.
The answer is never the answer. What's really interesting is the mystery. If you seek the mystery instead of the answer, you'll always be seeking. I've never seen anybody really find the answer, but they think they have. So they stop thinking. But the job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
I've done an incredible amount of painters. It's an area, for me, where there's more mystery left. I've photographed so many musicians, I've been in studios so often, I know the whole process. The mystery's gone from it. I think it's important to keep mystery into our lives. There's a longing connected with it.
I am entirely on the side of mystery. I mean, any attempt to explain away the mystery is ridiculous. I believe in the profound and unfathomable mystery of life which has a sort of divine quality about it.
Your heart's desire is to be told some mystery. The mystery is that there is no mystery.
Writing a mystery is more difficult than other kinds of books because a mystery has a certain framework that must be superimposed over the story.
The job is to seek mystery, evoke mystery, plant a garden in which strange plants grow and mysteries bloom. The need for mystery is greater than the need for an answer.
You must get beyond divertissement, sketch, anecdote, the interesting moment. You must get to the mystery of human personality. What is the line of the story that leads us to a point where we see or intuit something we haven't before?
Good sex is a mystery. Perhaps humping and pumping is not a mystery, but good sex is a mystery, and how human beings become truly intimate remains a mystery.
What the word God means is the mystery really. It's the mystery that we face as humans the mystery of existence, of suffering and of death.
Life is a mystery - mystery of beauty, bliss and divinity. Meditation is the art of unfolding that mystery.
Mystery is in the morning, and mystery in the night, and the beauty of mystery is everywhere; but still the plain truth remains, that mouth and purse must be filled.
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