A Quote by George Saunders
Stories, as much as we like to talk about them, retrospectively, as emanations of theme or worldview or intention, occur primarily as technical objects when they're being written. Or at least they do for me. They're the result of thousands of decisions made at speed during revision.
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So much of me is made of what I learned from you; you'll be with me like a handprint on my heart and now whatever way our stories end I know you have re-written mine by being my friend
Satellite datasets like WorldView can see objects as small as 1.5 feet in diameter. In 2014, WorldView-3 will be able to see objects a small as a foot.
Again, like I said, my life has been about being fascinated by objects and the stories that they tell, and also making them for myself, obtaining them, appreciating them and diving into them.
Pretty much every issue that we've put out, there have been at least one or two things that really surprised me. It sounds like bullshit, but most of the stories that we've run had that effect on me. We get thousands and thousands of submissions and I don't think we've published a story yet - very few, anyway - where there wasn't something like what Mona Simpson described, where a first sentence or a first page didn't just really command attention.
I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.
Certain Academy Awards like Sound and Visual Effects and Editing are sometimes referred to as technical awards. They're not technical awards. They're given for artistic decisions. And sometimes we make them better than others, and I guess we made a couple of good ones on this one.
I never have a thematic intention at the outset. The story informs the theme for me rather than the other way around. But as it happens... this is, at least to a degree, about getting old and the rapid passage of our lives.
I think words speak to us even though they may be written on a wall. So we hear them in our mind. We say it to ourselves. But they are also visual things. You draw them. They are designed. They are colored. They have a certain size. I put them in a certain place. So they are objects that have to be - artistic decisions have to be made in terms of the color and the size and the line and whatever.
I can’t talk about my books. I have written them and tried to forget them. I have written once, and readers have read me many times, no? I try to think of what I wrote, it’s very unhealthy to think about the past, the case of elegies is very sad, as much as the case of complaints.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
Everybody has a theme. You talk to somebody awhile, and you realize they have one particular thing that rules them. The best you can do is a variation on the theme, but that's about it.
Recognition of the modes of existence of technical objects must be the result of philosophic consideration; what philosophy has to achieve in this respect is analogous to what the abolition of slavery achieved in affirming the worth of the individual human being.
I am not an actor. Yes, every so often I appear on talk shows to promote something I've written, and I enjoy doing so because I have a lot of stories to tell, and I like making audiences laugh. But that's not acting. That's just me being me.
I went back into the older stories and reworked them, because I became a better writer over the years and could spot flaws. I loved having another chance to make them stronger, and to bring them closer to me, made them less like a greatest hits compilation, and more like something written in the same extended burst.
I think the most critical needs of the African-American communities aren't being addressed primarily because of decisions being made by Republican Congressional leaders.
In their zeal for particular kinds of decisions to be made, those with the vision of the anointed seldom consider the nature of the: process: by which decisions are made. Often what they propose amounts to third-party decision making by people who pay no cost for being wrong-surely one of the least promising ways of reaching decisions satisfactory to those who must live with the consequences.
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