A Quote by George Sava
Ballet is not technique, not a way of doing things, but a means of expression that comes perhaps more closely to the inner language of man than any other.
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There is a technique, a knack, for thinking, just as there is for doing other things. You are not wholly at the mercy of your thoughts, any more than they are you. They are a machine you can learn to operate.
Technique should be taught, not as an end in itself, but as something related to individual expression, as a means toward an end. One cannot separate technique from expression. There is only expression.
Logic, like language, is partly a free construction and partly a means of symbolizing and harnessing in expression the existing diversities of things; and whilst some languages, given a man's constitution and habits, may seem more beautiful and convenient to him than others, it is a foolish heat in a patriot to insist that only his native language is intelligible or right.
Not the challenges necessarily, but the way in which you get ready because your technique has improved over the years and you perhaps know how to be more economical than perhaps you used to be when you tried to work perhaps too hard.
The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It's technique, page by page, resembles our technique of living day by day-a way of relating.
The expression 'Those who can't do, teach' is a curious one, because if you look at the world , you'll see that teachers aren't particularly worse at doing things than anyone else, so perhaps the expression might be better worded as 'nobody can do anything
Mother, recently I have discovered the one way in which human beings differ completely from other animals. Man has, I know, language, knowledge, principles, and social order, but don't all the other animals have them too, granted the difference of degree? Perhaps the animals even have religions. Man boasts of being the lord of all creation, but it would seem as if essentially he does not differ in the least from other animals. But, Mother, there was one way I thought of. Perhaps you won't understand. It's a faculty absolutely unique to man - having secrets. Can you see what I mean?
It's very difficult for me to do fund raising for my own organization if I'm working for other companies because sponsors will say, 'Well, hey, man, if she's doing a ballet for Ballet Theatre, we'll give money to Ballet Theatre.'
Bierce radiates brilliancy, and perhaps no other man of letters ever had a more ready command of condensed expression. For him, each word has its unique place in the peerage of words, and he would not use a word out of place any sooner than he would thrust an ape into a captain's saddle.
As a writer, I've often said that, among the other things that we need to reclaim, other than the obscene wealth of billionaires, is language. Language has been deployed to mean the exact opposite of what it really means when they talk about democracy or freedom.
I don't think you necessarily have to be crazy-fit for freeskiing. So much of the sport has to do with agility and nimbleness and flexibility and other things. It's a lot of muscle memory - it's more like dance, in a way - it's technique more than strength or endurance.
Every creator painfully experiences the chasm between his inner vision and its ultimate expression. The chasm is never completely bridged. We all have the conviction, perhaps illusory, that we have much more to say than appears on the paper.
I grew up in Honolulu. It's not the ballet cultural mecca by any stretch of the imagination. People are much more familiar with hula than they are with ballet.
Management is a far more homely business than its would be scientists suggest, more closely allied to cookery than any other human activity. Like cooking, it rests on a degree of organisation and on adequate resources. But just as no two chefs run their kitchens the same way, so no two managements are the same.
The poet, being an imitator like a painter or any other artist, must of necessity imitate one of three objects - things as they were or are, things as they are said or thought to be, or things as they ought to be. The vehicle of expression is language - either current terms or, it may be, rare words or metaphors.
A man is not merely a man but a man among men, in a world of men. Being good at being a man has more to do with a man’s ability to succeed with men and within groups of men than it does with a man’s relationship to any woman or any group of women. When someone tells a man to be a man, they are telling him to be more like other men, more like the majority of men, and ideally more like the men who other men hold in high regard.
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