A Quote by George Shearing
Can anybody be given creativity? No. Only equipment to develop it if it's in them in the first place.
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Can anybody be given a great degree of creativity? No. They can be given the equipment to develop it-if they have it in them in the first place.
Creativity is every company's first driver. It's where everything starts, where energy and forward motion originate. Without that first charge of creativity, nothing else can take place.
People say the media is feeding the public's hunger for celebrity news, but that's the drug pusher's mentality. I don't think anybody would be pining for news about Angelina Jolie's babies if it weren't being given to them in the first place.
It seems to me that whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook while never doing anything to the stuffy house in the city is to waste creativity in this very basic area, and to hinder future creativity by not allowing it to grow and develop through use.
You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.
If you *stop* putting off homemaking until your hope of marriage develops into a reality, and *start* to develop an interesting home right now, it seems to me two things will happen: first, you will develop into the person you could be as you surround yourself with things that express your own tastes and ideas; and second, as you relax and become interested in areas of creativity, you will develop into a more interesting person to be with.
You see history in the making and that is definitely the highlight. You get to meet these amazing sportsmen and women, and see them develop as individuals. You get to meet them when they're first coming into their sport. You watch them develop and you build up relationships with them.
I made dance records and the gay community gravitated toward them. They gave me a place to really shine, a place to develop, and a place to spread my wings - I'll forever be grateful for that.
My first Hip Hop concert was at the Apollo at the age of 12. Southpaw's father was interviewing Queen Latifah and Treach as well as many others. The place was so packed no one could move but I got to be backstage with the video equipment and so I saw the show from a great place.
For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
People have to be given permission to write, and they have to be given space to breathe and stumble. They have to be given time to develop and to reveal what they can do.
You compare yourself to somebody who you think is a peer, and you can totally lose the plot, and not understand that you are nothing like them in the first place, and it was never you versus anybody.
Somehow people have been sold on the idea that only professionals can entertain them, that only professionals can sing or tell jokes. And people are cut out of this creativity loop, and creativity is being limited to these large, centralized voices.
Enterprise is first creativity. You need creativity to see what's out there and shape it to your advantage. You need creativity to look at the world a little differently. You need creativity to take a different approach, to be different.
Everyone has huge creative capacities. The challenge is to develop them. A culture of creativity has to involve everybody, not just a select few.
If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth.But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work
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