A Quote by George Shearing
The way it works: The orchestra plays a few selections of its own and I terminate the first part of the programme on piano, usually with a movement from a Mozart concerto.
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When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.
Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.
I have two favorites: Reading Kierkegaard while listening to Mozart's Piano Concerto 9 in E Flat Major, and reading early Bazooka Joe comics in Hebrew.
Taste and smell are often the beggars among our five senses - they leave no written language and therefore no standards other than wholly personal ones. Tasting a superlative Moselle wine can be an aesthetic experience no less genuine than hearing a Mozart piano concerto or seeing for the first time an original Breughel painting.
Beauty doesn't have to be about anything. What's a vase about? What's a sunset or a flower about? What, for that matter, is Mozart's Twenty-third Piano Concerto about?
I got to perform the [Jaques] Ibert Concertino Da Camera with a brilliant pianist at school named Chunga. I got to perform the [Alexander] Glazunov Concerto in senior year with our school orchestra and the Jewish Grossman orchestra. I won a scholarship from the Goldman band to perform the [Paul] Creston Concerto. Which I never played with them, but they still gave me the money.
Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.
I cut the scene out, but there was a moment where Christoph Waltz plays the piano in 'Django [Unchained]' - Jamie [Foxx] is a magnificent piano-player but there's never a moment where Django plays the piano.
It's nice not to have the majority of the attention on me like there is when playing a concerto with an orchestra.
I'll go to the south of Sicily in the winter, and paint memories of Arles – I'll buy a piano and Mozart me that – I'll write long sad tales about people in the legend of my life – This part is my part of the movie, let's hear yours
As for my own music, I've never written a book about it. I'm not pedagogical... When I write an abstract piano sonata or a concerto, I write what I feel. I'm not a self-conscious composer.
And it's a crime because the great plays of history, going all the way back to the Greeks, are part of everybody's heritage. It's just like in music, Beethoven or Mozart, that's everybody's heritage.
And it's a crime because the great plays of history, going all the way back to the Greeks, are part of everybody's heritage. It's just like in music, Beethoven or Mozart, that's everybody's heritage
I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.
I'm part of a speech therapy programme called the McGuire Programme. It teaches you a new way to breathe, a new way to speak, a brand new way of tackling the mind-sets that come with having a speech impediment. Mainly, it teaches you how to slow things down, and that has really helped me.
What I really enjoy is not you; it's something that's greater than both you and me. It is something that I discovered, a kind of symphony, a kind of orchestra that plays one melody in your presence, but when you depart, the orchestra doesn't stop. When I meet someone else, it plays another melody, which is also very delightful. And when I'm alone, it continues to play.
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