A Quote by George Steiner
Nothing in the next-door world of Dachau impinged on the great winter cycle of Beethoven chamber music played in Munich. No canvases came off museum walls as the butchers strolled reverently past, guide-books in hand.
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Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore--While I nodded, nearly napping, suddenly there came a tapping, As if some one gently rapping, rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door--Only this and nothing more.
And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more.
Dachau has been my own lifelong point of no return. Between the moment when I walked through the gate of that prison, with its infamous motto, 'Arbeit Macht Frei,' and when I walked out at the end of a day that had no ordinary scale of hours, I was changed, and how I looked at the human condition, the world we live in, changed ... Years of war had taught me a great deal, but war was nothing like Dachau. Compared to Dachau, war was clean.
You have to understand, I don't play golf for fun. It's my business. When the mailman starts delivering mail on his off day, that's when I'll start playing golf for the hell of it. I like to play in tournaments. There are many great courses around the world that I have never played that are next door to tournaments. I have not played them because I don't play for fun.
Here is the infallible test. Imagine yourself in a situation where you are alone, wholly alone on earth, and you are offered one of the two, books or men. I often hear men prizing their solitude but that is only because there are still men somewhere on earth even though in the far distance. I knew nothing of books when I came forth from the womb of my mother, and I shall die without books, with another human hand in my own. I do, indeed, close my door at times and surrender myself to a book, but only because I can open the door again and see a human being looking at me.
I have truly eclectic taste in music, and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; world music, Brit-pop, classic rock, blues/jazz, even the odd bit of heavy metal.
I really don't. I have truly eclectic taste in music and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; World Music, Brit-pop, Classic Rock, Blues/Jazz, even the odd bit of Heavy metal.
Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.
A Beethoven symphony should be rehearsed like chamber music, only for a lot more people.
I call the notion that we are nothing but killer apes the Beethoven fallacy. Beethoven was disorganized and messy, and yet his music is the epitome of order.
I've had my share of villains and played some fairly nasty characters. But I've been acting for so long. I started out as the girl next door. Now I'm the grandmother next door.
At the beginning of 'Will and Grace', I played Jack as the funny next-door-neighbor type, as we've seen in the past. And I thought that was my role.
And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more.
I approach everything as chamber music. Even with Beethoven symphonies, I lead from the violin and basically encourage the orchestra to think of it as a giant string quartet.
I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.
Books go out into the world, travel mysteriously from hand to hand, and somehow find their way to the people who need them at the times when they need them ... Cosmic forces guide such passings-along.
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