A Quote by George Steiner
To many writers and thinkers, though not to all, another text is, or can be, the most naked and charged of life-forces ... The concept of allusion or analogue is totally inadequate. To Dante these other texts are the organic context of identity. They are as directly about life as life is about them.
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I find that, for me, it is this concept of borrowed or built life, life on loan, that gets me writing. It's similar to speaking about literature. I like it, and then I don't like it. It has such an inherent vein of pretention, because you're not speaking about real things. There's a literary pretentiousness made of speaking and spending so much time on unreal persons. And it seems, now, impossible to create an unpretentious, totally organic character.
Like most filmmakers and writers, there are roots in my own life, but they are stories that I invent. There was a period of time in my life when I made directly autobiographical films where I truly told what happened to me. But, now, I don't make directly autobiographical films anymore. I am more for renouncing that and being in front of history. The large part of my work tells about something I know. It's close.
My whole identity is not gender. My whole identity is not talking about gender. There are so many other things in my life that are fulfilling that I like to think about too.
There can be nothing exclusive about substantial art. It comes directly out of the heart of the experience of life and thinking about life and living life.
I think these days when life is so busy and I'm juggling acting, modelling and my organic skincare line - Naked by Lisa Haydon - that I do only the work that I'm specifically passionate about and that may be in one of the many fashion weeks, but one must be choosy as well.
When you're young, your perception of what it means to be a writer is often less about the writing and more about what seems to be the accompanying life: speeches and travel and hanging out with other writers. You think that when you get published, your life will clarify itself to you somehow. But when you don't get published until you're middle-aged you know who you are already, and your life expands to make room for your writing, rather than orbiting around it. You realize that there's no one way to be a writer, and that the job is less of an identity and more of a vocation.
The concept of The 'Most Beautiful Moment in Life', that was chapter one for us; it feels like that because we were starting from the bottom, but on this concept, 'Love Yourself', we started to talk about some brighter things, like the real things in life.
Family life is the normal context in which we can learn that a life filled with thinking about others instead of ourselves is the sure road to the most fulfilling joys and satisfactions.
When a significant other - a spouse, a parent or someone you're close to - is dying, it forces you to think about your life, about what you feel about death. What I realized from my dad's dying was that I wasn't scared of dying. But I was terrified of regrets. I was terrified of getting to the end of my life with a lot of Why didn't I's.
Life is short. Do not forget about the most important things in our life, living for other people and doing good for them.
Most of the moments of our life - and I calculated, you know, the psychological present is said to be about three seconds long; that means that, you know, in a life there are about 600 million of them; in a month, there are about 600,000 - most of them don't leave a trace.
The Divine Comedy is a political poem and when you say poetry is not about - he's always quoted out of context, that "poetry makes nothing happen," that doesn't mean you shrug your shoulders and don't try to make anything happen. And Dante felt that poetry was engaged, there was a point of view; it's not my point of view, it's orthodox medieval Christianity, and I have my troubles with that. He didn't feel that you could just rule out so important a section of life - we care about these things, and it's out of caring about them that we write poetry.
The philosophic mind inclines always to an elaborate life--the life of Goethe or of Leonardo da Vinci; but the life of the poet isintense--the life of Blake or of Dante--taking into its centre the life that surrounds it and flinging it abroad again amid planetary music.
The discovery and investigation of life on other planets is likely to change many of our ideas about how life arose on the Earth and even what is life and its natural development.
When you look more generally at life on Earth, you find that it is all the same kind of life. There are not many different kinds; there's only one kind. It uses about fifty fundamental biological building blocks, organic molecules.
Most people don't why they are born or why they die. They have no understanding of the forces in life that pull them and push them to their death and another rebirth in this or another world.
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