A Quote by George Strait
I used to do a lot of interviews in the early '80s, when my career started, but it came to a point when I decided I didn't want to talk anymore, and people kind of understood that and left me alone.
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When I think about my career and how it all started, it really started with me getting to a point where I understood how to write songs that resonated with people.
Started an early career with Seattle, came straight in and they gave me a chance to play early.
I get ratings but I don't do interviews for those people anymore. I don't watch CNN anymore. I don't do interviews with CNN anymore because its not worth it. It's very biased against me.
When you're an actor, people talk a lot about how, at some point, you really have to take control of your career and what you want to do and create your own content. But for me it came from a really natural place of wanting to feel like what you're putting in the world has some meaning for you.
A lot of people kind of perceive me as some kind of pop act because in the early '80s 'I Love A Rainy Night' went No. 1 for two weeks in a row and 'Driving My Life Away' sold a million records.
Comedy clubs were something that came to pass in the '80s, but toward the end of that, in the early '90s, people started doing comedy again in alternative spaces.
I had gotten to the point where I just didn't want to perform anymore - I didn't want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
It's good to talk sometimes. Sometimes interviews are really good for you... You end up evaluating yourself more and talk about stuff that an ordinary person wouldn't necessarily keep revisiting. I used to close myself off and want to be alone, but now I'll call a friend. When you're in a relationship, they're that person.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
I'm a conversationalist. I came out of a town with only 300 people. I didn't have anybody to talk to. I didn't want to talk about farming. So when I came out in the world, I started talking. Never stopped.
![Jim "Dandy" Mangrum](/assets/images/photos/avatars/jim-"dandy"-mangrum.webp)
When I started playing football, I started as a left-defender. Maybe I wasn't very talented in that position but I knew that something good could come out of it. I got some skills with my feet and that helped me a lot later on. Those qualities have helped me a lot in my career.
I was fortunate enough to hook up with Quincy Jones and had a lot of success. But the music of the '80s really changed when the '90s hit. For me to chase that dream or career of music, I started a family, started on 'Melrose Place,' so it was something I didn't have the time or energy.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
In the early days I'd be slaving over a mixing desk. I'm not a recording engineer but I used to mix the record. We used to do it all by ourselves. I just don't really want to do it anymore. I want somebody to do it for me. I want to concentrate on other things. That's been a big change, a learning curve. But no regrets, it's all part of life's rich tapestry.
Everyone has experienced alienation - at some point you go through a moment where you say: "I just want to be left alone." And what is the ultimate point of being alone? - it's dying, of course.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
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