A Quote by George Stroumboulopoulos
Good journalism is crucial. Good journalism isn't easy so I think it's less about what story and more about the layers and context that need to be explored in the story. That's one of the reasons why I'm excited to be a part of CNN. This is the kind of place that you can do that.
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Anyone who does investigative journalism is not in it for the money. Investigative journalism by nature is the most work intensive kind of journalism you can take on. That's why you see less and less investigative journalism at newspapers and magazines. No matter what you're paid for it, you put in so many man-hours it's one of the least lucrative aspects of journalism you can take on.
There is a danger in our modern practice of using embedded journalism. As there is less and less money available for journalism to uphold its independence, there is a temptation for people to take short cuts. If this army or that army or this corporation is willing to pay for your flight or your accommodation, then it's much more difficult to tell what the real story might be. I do have a concern about that.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
So I think that good journalism helps you to zoom out, to focus on the structural forces that govern our lives. And I think that good journalism is also not only about the problems, but also about the solutions, and the people who are working on these solutions.
I think there's always satisfaction that comes from digging in and telling a story and being on the front line and writing about it. I think there's a venue available if you look. Even print journalism is in good shape in areas.
One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism.
I don't worry too much about learning lines per se. The memorization is the easy part for me, usually. For me, it's more about working on the context, back story, intention, motivation, etc. Once that's in place, the lines come pretty naturally.
All of journalism is a shrinking art. So much of it is hype. The O.J. Simpson story is a landmark in the decline of journalism.
There is kind of this spirit in journalism to tell both sides of the story and to just let the listeners choose what they want to choose, and I understand that, and there's a place for it, but on some issues, we really do need to take a stand.
At CNN, our view is that good journalism equals good business.
In order to have quality journalism you need to have a good income stream, and no Internet model has produced a way of generating income that would pay for good-quality investigative journalism.
I think if the content is good and the content is interesting, the at home viewer will watch it for as long as the story is interesting thus the responsibility for making the story interesting falls on the shoulders of the reporter or the producer. Then I'm disappointed that producers have felt that television can only be told in 59 second story bursts because we've become, it's become journalism based on MTV, video electronic editing and cutting.
I got a journalism degree. I started doing journalism - I interned at 'Cosmopolitan' magazine in the 1970s, which probably wasn't the best place for me, and I spent six or nine months freelancing. Anyway, I wasn't that good at it.
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