A Quote by George Szell

In music one must think with the heart and feel with the brain. — © George Szell
In music one must think with the heart and feel with the brain.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
For this the Gospel offers us a serene way forward: using the three languages of the mind, heart and hands - and to use them in harmony. What you think, you must feel and put into effect. Your information comes down to your heart and you put it into practice. Harmoniously. What you think, you feel, and you do. Feel what you think and feel what you do. Do what you think and what you feel. The three languagesTo think. To feel. To do. And all in harmony.
I think I got turned onto The Beach Boys for the first time with the 'Endless Summer' album in 1974. The power of that music still, to this day, bypasses the brain and goes straight to the heart. You don't have to think about it; it's something that you feel.
You must direct your full, intense concentration on the heart. You must feel that you are not the mind. You have to feel that you are growing into the heart. You are only the heart and nothing else.
Music is indivisible. The dualism of feeling and thinking must be resolved to a state of unity in which one thinks with the heart and feels with the brain.
You must squeeze out of yourself every sensation, every thought, every image, - mercilessly, without reserve and without remorse: you must search the darkest corners of your heart, the most remote recesses of your brain, - you must search them for the image, for the glamour, for the right expression. And you must do it sincerely, at any cost: you must do it so that at the end of your day's work you should feel exhausted, emptied of every sensation and every thought, with a blank mind and an aching heart, with the notion that there is nothing, - nothing left in you.
Feel, my children, feel; feel for the poor, the ignorant, the downtrodden; feel till the heart stops and the brain reels and you think you will go mad; then pour the soul out at the feet of the Lord, and then will come power, help and indomitable energy.
My brain has no heart, and my heart has no brain. That's why when I speak my mind, I appear heartless and when I do what's in my heart I seem thoughtless.
So the smart brain must be balanced with a warm heart, a good heart -a sense of responsibility, of concern for the well-being of others.
I try to make music that's really real. I've always liked music that makes me feel something. I'm not a brain first, music second person.
Extinguish my eyes, I'll go on seeing you. Seal my ears, I'll go on hearing you. And without feet I can make my way to you, without a mouth I can swear your name. Break off my arms, I'll take hold of you with my heart as with a hand. Stop my heart, and my brain will start to beat. And if you consume my brain with fire, I'll feel you burn in every drop of my blood.
There is a gap between the heart and brain - that is where the soundbox lies. Some sing from their heart; others use their brain.
The brain isn't like the heart. They learned how to transplant a heart. The brain is more complex.
I want so to live that I work with my hands and my feeling and my brain. I want a garden, a small house, grass, animals, books, pictures, music. And out of this, the expression of this, I want to be writing (Though I may write about cabmen. That’s no matter.) But warm, eager, living life — to be rooted in life — to learn, to desire, to feel, to think, to act. This is what I want. And nothing less. That is what I must try for.
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
Socialism must come down from the brain and reach the heart.
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