A Quote by George Thorogood

[European audiences differ from American] they talk different. The ones in Holland speak Dutch. The ones in Switzerland speak Swiss. That's the only difference. — © George Thorogood
[European audiences differ from American] they talk different. The ones in Holland speak Dutch. The ones in Switzerland speak Swiss. That's the only difference.
My husband is a Dutch television correspondent. He's not taking any job away from an American. Because I don't really think there are any Americans that can speak Dutch and explain American politics to a Dutch audience.
I'm a bit of a melting pot, I try to speak British, but there's some European lilt - a not-so-conventional one because I'm Belgian, from the Flemish part. Dutch was my mother language, and I learned English, and I speak French, too.
I speak English, obviously, Afrikaans, which is a derivative of Dutch that we have in South Africa. And then I speak African languages. So I speak Zulu. I speak Xhosa. I speak Tswana. And I speak Tsonga. And like - so those are my languages of the core. And then I don't claim German, but I can have a conversation in it. So I'm trying to make that officially my seventh language. And then, hopefully, I can learn Spanish.
Dutch is our first language. When you talk to older people, you speak Dutch. It's more respectful. The local language, you talk with your friends. You don't talk to your parents like that with the local slang.
I was getting my Ph.D. in Holland - I speak Dutch - for a number of years before I moved to France because I had one of those offers you couldn't turn down. They offered me to come and do my films.
American audiences and European and Asian audiences are so different.
I lived in Holland for one year when I was younger and, although they speak Dutch there, I learned a little bit of English while I was there, but really I learned from movies and TV series like '24' and 'Prison Break.'
When men talk about war, the stories and terminology vary - it's this battle, these weapons, this terrain. But no matter where you go in the world, women use the same language to speak of war. They speak of fire, they speak of death, and they speak of starvation.
When I speak, I don't speak for myself; I don't have the luxury of a Caucasian to be able to speak for myself. I speak for a whole community, and I represent so many different communities that that felt like a lot of pressure.
The law of silence: Speak little. Say only what you must. Speak only when necessary. Your oratory should be deeds, not words. You accomplish: let others talk.
I speak Dutch, German, French, and English and have acted in all of those languages, but I love the American experience.
When I speak in English, my expressions become different. My attitude, too. I'm not sure why, but there really is a difference. My hands move differently when I speak English.
For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man, which to be sure he was, in a sense, for a time, and as the only way one can speak of man, even our anthropologists have realized that, is to speak of him as though he were a termite.
I often speak with Turkish President Recep Tayyip Erdogan. When I speak with the Turkish president, I defend European positions. That is how we European partners must do things.
Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
African films should be thought of as offering as many different points of view as the film of any other different continent. Nobody would say that French film is all European film, or Italian film is all European film. And in the same way that those places have different filmmakers that speak to different issues, all the countries in Africa have that too.
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