A Quote by George Thorogood

Every time you go in and make a record it is like a calling card, not so people can come and hear you live or are interested in your catalog. — © George Thorogood
Every time you go in and make a record it is like a calling card, not so people can come and hear you live or are interested in your catalog.
I feel like the live record thing is something that I've been getting used to as the years go by and with this being my second one, I'm continuing to learn what works and what doesn't work. A live record is an example of that authenticity and that realness that you find in imperfection and you can hear that in this record.
To make a live record - something that has a lot of life in it - is difficult. After slaving away for years in the studio, when I hear a No Age record or when I hear Yeah Yeah Yeahs' first EP or when I hear DRI or really early punk stuff, it's just so powerful, so raw - and I know how hard that is to create. It's very deceptive. It's like a Dardenne brothers film - it seems like just a handheld camera following some people around in a trailer park, but it's incredibly difficult to do that.
It saddens me that in many churches today, you hardly hear the name of Jesus being mentioned. Instead, you hear psychology being taught. You hear motivational teachings. You hear 'doing, doing, doing', 'vision, vision, vision' or 'calling, calling, calling'. You hear very little of Jesus Christ and His finished work being taught. Is this what Christianity is about? Your doing, your calling and your vision?
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
What people read revealed so much about them that she considered our card catalog a treasure house of privileged secrets; each card contained the map of an individual’s soul.
Someone stole my wallet last week. The guy called me up and he was mad at me. He was like 'you gotta get your finances together. You got no cash, your credit cards are maxed out. You don't even have minutes on your calling card. I had to use my card to call you.'
I do sit-ups and push-ups at home, and that's about it. I have a gym card, but I never go there. It's a front. I pay for the membership every couple of years, thinking I'll be embarrassed enough to go. But every time I go, there's like people twice my age that look twice as good!
You have to realize that for some of these people - definitely me when I was growing up - you treat every day like it's your last, because that's the reality of your situation. You never know when someone's going to go, because you're living in a war zone. It's almost like you're in a jungle, and you're just waiting for the predator to catch everybody one by one. So everybody cherishes each other. Instead of calling people the n-word, you're calling people "loved one." There is a level of appreciation for brothers and sisters in the hood.
I say we put a choice card in every veteran's hands to say, 'You choose.' You control your health care. If you want to go to the VA, which most veterans like, go to the VA. But if you want to go outside of the system, here's your choice card. You go outside of the system.
Your face is your calling card, but you're not so famous that you can't go out.
Every time we record, and every time we go out live, we try and beat what we've already done.
I didn't feel the need for anonymous affection, for people in the dark applauding. To me, it would be like writing a novel and then getting up every night and reading your novel. Everything I did is on the record and, if you want to hear it, just listen to the record.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
I think a book is your calling card, your business card.
Live more than your neighbor. Unleash yourself upon the world and go places. Go now. Giggle, no, laugh. And bark at the moon like the wild dog that you are. Understand that this in not a dress rehearsal. This is it. Your life. Face your fears and live your dreams. Take it all in. Yes, every chance you get. Come close. And by all means, whatever you do, get it on film.
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