A Quote by George Thorogood

I wanted to write songs that were as good as the covers. — © George Thorogood
I wanted to write songs that were as good as the covers.
I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the results were pretty good.
We just wanted to write a bunch of songs that we thought were good songs.
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
I wanted to be a singer. I wanted to be a musician. I wanted to travel and write songs and be a good songwriter. It came to me slowly after college.
We're a live band. Some bands write their songs in the studio - we don't do that. We're playing songs on this tour that were written three days before the tour. And it feels good to try these songs.
I think I started doing covers when I was... what, like 9 or 10? I would always do the songs that I wanted to do and the songs that my parents wanted me to do. You would see me cover every Adele, Christina Aguilera, Taylor Swift and Carrie Underwood. Then I'd have to do 'Sweet Child O' Mine' and 'Crazy Train,' and it was a really weird combination.
I don't want to change the way I write my songs, I like the way I write my songs, so I keep 'em the same. I'd like to write more country songs, but other than that, I'm pretty good where I am.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."
Normally when we go in and write the songs we write, we think about doing a cover, but never a covers record. That would be, for us, a concept. We don't want to have a concept!
I remember when our first album came out. After one of our gigs, we went across the border to Mexico and the band in the bar where we were was doing covers of our songs. I don't think they understood a word they were singing but they did the songs perfectly.
I can't stress enough how important it is to write bad songs. There's a lot of people who don't want to finish songs because they don't think they're any good. Well they're not good enough. Write it! I want you to write me the worst songs you could possible write me because you won't write bad songs. You're thinking they're bad so you don't have to finish it. That's what I really think it is. Well it's all right. Well, how do you know? It's not done!
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
I never really wanted to be an artist. I just really wanted to write songs. But, of course, I can't get placement unless I demo the songs.
I was clear that I wanted to do music and I wanted to write songs. But I wasn't clear about how I was going to make that happen. I wrote loads of songs but didn't want to show them to anyone.
What I wanted in life always was to write something as good as 'Pinocchio.' I wanted to write. I wanted to evolve. I wanted to grow.
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