A Quote by George Tillman, Jr.
Even looking at my last film, 'Notorious,' you got a perception about B.I.G. and who he was, but there was a different side to him.
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We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
The movie 'Vacation' had a whole different ending. They never even got to the amusement park, Wallyworld, at the end of 'Vacation.' The last 20 minutes of the film was entirely different - and bombed so badly that the audience just stopped cold.
I had a different perception of what a relationship or love is like. I was all giddy-headed and fairytale about it in my head, but it's so different. There's a lot of restraint that you've got to have, compromising in certain situations - and you've got to have a lot of respect.
I have nothing against Kanye West. Help me with this - I'm not dissing him - this is about how people talk about him. With the last album he did, he got all the best beatmakers on the planet at the time to make beats for him. A lot of the time, he wasn't even there. Yet no one would question his authorship for a second.
When I make a film, I never stop uncovering mysteries, making discoveries. When I'm writing, filming, editing, even doing promotional work, I discover new things about the film, about myself, and about others. That is what I'm subconsciously looking for when shooting a film: to glimpse the enigmas of life, even if I don't resolve them, but at least to uncover them. Cinema is curiosity in the most intense meaning of the word.
I think actors are very obsessed about looking different and behaving differently, but all people need is just a different film. They don't want a different you; they want a different story.
Even happiness itself may become habitual. There is a habit of looking at the bright side of things, and also of looking at the dark side.
I remember when I was a kid looking at different types of film and really examining the grains of them. I remember even looking at the ink streaks.
I think that most women know what happens that leads you to a point where you're not even looking for intimacy anymore. You're just looking for the physical side of it and not the emotional side of it.
My own perception of Malcolm was one of something that bordered on fascination because I was looking at him and reacting to him as a subject.
Even happiness itself may become habitual. There is a habit of looking at the bright side of things, and also of looking at the dark side. Dr. Johnson has said that the habit of looking at the best side of a thing is worth more to a man than a thousand pounds a year. And we possess the power, to a great extent, of so exercising the will as to direct the thoughts upon objects calculated to yield happiness and improvement rather than their opposites.
When someone goes to watch my film in the theatre, they won't remember the last four articles they read about me. Instead, they will think about the last film I did.
Even if you find him. Even if he didn't leave you on purpose, he can't possibly live up to the person you've built him into." It's not like the thought hasn't occurred to me. I get that the chances of finding him are small, but the chances of finding him as I remember him are even smaller. But I just keep going back to what my dad always says, about how when you lose something, you have to visualize the last place you had it. And I found?and then lost?so many things in Paris.
The idea of watching an entire film basically from one person's perspective - and not even really from their perspective, but [it's] probably the most intimately shot film that's in any of these categories. If you're not familiar with Son of Saul, basically it's a film about a Jewish guy who's in concentration camp, but he helps dispose of the bodies after they leave the gas chamber. So, you watch the entire movie looking at Saul's face and looking at his interactions with people.
There was a guy that I got to know pretty well - Joe Grant. He was one of the creators of Dumbo and worked side-by-side with Disney. Being a total Disney nerd, I was obsessed with asking him questions. He was 92 when I got to know him.
He (Buck Showaleter) never even smelled a jock in the big leagues. Mr. Baseball never even got a hit in Triple-A. I was a better player than him, I have more money than him and I'm better looking than him.
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