A Quote by George V. Higgins
A cop told me, a long time ago, that there’s no substitute for knowing what you’re doing. Most of us scribblers do not. The ones that’re any good are aware of this. The rest write silly stuff. The trouble is this: The readers know it.
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There's a difference between knowing God and knowing about God. Knowing about God is all of the stuff we've been told and all of the books we've read and all of our religious experiences and what others have told us and tried to convince us of. But knowing God is when we make conscious contact.
Believe me, I love commerce as much as the rest of the readers of 'Businessweek.' But in art, you have to be true to yourself and your musical vision. People have known me well for a long time, so if I was chasing a trend and doing something that wasn't authentic to who I am, they would know it in just a few seconds.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
We understand what the difference is between what we understand and what the community understands about what we're doing because they have supported us long enough for me to stay out here, while other people who are doing other things have not. A lot of people have trouble pinning down what it is we do and how. But we don't have any trouble with that. As long as that's their problem, it's their problem.
I don't know what it is about me and this cop thing, but I get a lot of cop offers. Everyone always assumes that I'm someone on the force, but as long as they are paying me, I will play a cop until the day I die.
A grown man should always carry cash, right? I don't know who told me, but someone told me that a long time ago, and the biggest turnoff is when a guy doesn't have cash on him.
Two years ago, if anyone had told me I'd be doing half the stuff I'm doing, I wouldn't have believed it.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
They say shock therapy is good for some things, but it didn't do me any good. It was a pretty primitive treatment at the time - once they gave it to you, you couldn't remember how long you'd been there. It knocked me back for a long time. I thought I'd never write again.
I find with most of my readers are kind of like me, sort of people who were a little bit naive in life and then learned the hard way that this is what's going on, the political games and most of my readers write to me telling me that the book helped them open their eyes to what other people are doing to them.
Any really good scientist is as much an artist as a scientist. All the interesting stuff is found on the edge between knowing and not knowing. I know that sounds like a meditation teacher speaking, but when you're in the laboratory, or you're theorizing about physics, you need to know what you know, but if you can't get out from under that, you won't be able to make that insightful, first-time connection that nobody else has seen before.
One of the great things about being on a show for a long period of time is watching the show evolve. A friend told me a long time ago "It should be easy" and it usually is if you're not distracted with the usual demons any creative person has. Especially with comedy because you find yourself laughing while you work.
So as long as you can forget your body you are happy and the moment you begin to be aware of your body, you are wretched. So if civilization is any good, it has to help us forget our bodies, and then time passes happily without our knowing it. Help us get rid of our bodies altogether.
It takes me a long time to write, and I trust myself, so I write very sparsely, so when I do, I know it's good, you know what I mean? Rather than writing a whole bunch and having to sort out what's good and what's not.
I made up my mind long ago to follow one cardinal rule in all my writing-to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics-Well, they can do whatever they wish.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
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