A Quote by George Vecsey

Lots of ballplayers have their own personal music blasted by the sound systems in modern ball parks. — © George Vecsey
Lots of ballplayers have their own personal music blasted by the sound systems in modern ball parks.
My interests are moving toward both 'sound and music,' not just 'music.' I have been doing lots of field recordings and also collecting lots of strange sounds.
'Death Race' was a very modern action movie, and it used all of those modern action techniques with lots of hand-held camera, lots of punchy zooms, and lots of quick movements and quick cuts.
Death Race was a very modern action movie and it used all of those modern action techniques with lots of hand-held camera, lots of punchy zooms, and lots of quick movements and quick cuts. In 3D, I didn't want to do that anymore.
I don't want to pooh-pooh modern pop. I appreciate that as well, but my personal favorite kind of music is guitar-based rock. I like grunge and garage bands and alternative music, but that's more my personal taste.
What I say about actors is you always want to find an actor you can play ball with. You throw the ball at them and you want them to throw it back. Your ball playing is a lot better when you play with good ballplayers, like any sport. Every actor I know feels the same way.
As a professional writer of detective stories, I string along with the ballplayers. I love a ball game.
I do experiment with lots of different genres. In making music, I don't think of genre like, "I want to do this, because I'm going use that country music sound; I'm going use that hip-hop sound; I'm going use that acoustic [sound]." It's just making music. So now that I've traveled a lot more since I did Acoustic Soul, I'm sure that different sounds will come into place, because I have been exposed to it and I like it. But it's not so much of a conscience effort. It's mind and spirited. You know, we're humans.
As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling.
I love music.. everything from R&B to Rap to Modern Country.. I still haven't figured out my own personal vibe.. it was sort of Nora Jones then sort of electronic.. then country.. it is very hard to make it in the music industry so we shall see if I ever find the time to finish it!
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
Every time you have a crisis in a country you have an extreme wing coming up and proposing solutions. The way to fight them is by doing lots of work teaching people that every time these fascist systems gained power they ended up with big tragedies - lots of blood, lots of police, and lots of misery.
It's the same with the ballplayers. Babe Ruth spent a lot, too and the ballplayers make a lot more money now.
There are too many people coming to parks doing the wrong things. They treat the parks like popcorn playgrounds. They don't understand what the national parks mean.
The lesson there is that there's no hiding the sound of a band that is bored with its own music. Whatever it takes to create the sound of excitement, that's what you want to do.
Understand: the task of an activist is not to negotiate systems of power with as much personal integrity as possible--it's to dismantle those systems.
Modern societies accepted the treasures and the power offered them by science. But they have not accepted - they have scarcely even heard - its profounder message: the defining of a new and unique source of truth, and the demand for a thorough revision of ethical premises, for a complete break with the animist tradition, the definitive abandonment of the 'old covenant', the necessity of forging a new one. Armed with all the powers, enjoying all the riches they owe to science, our societies are still trying to live by and to teach systems of values already blasted at the root by science itself.
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