A Quote by George W. Bush

One of the common denominators I have found is that expectations rise above that which is expected. — © George W. Bush
One of the common denominators I have found is that expectations rise above that which is expected.
I have always been able to rise above the expectations.
You ought to know how to rise above the trivialities of life, in which most people are found drowning themselves.
We all think we’re going to be great and we feel a little bit robbed when our expectations aren’t met. But sometimes our expectations sell us short. Sometimes the expected simply pales in comparison to the unexpected. You got to wonder why we cling to our expectations, because the expected is just what keeps us steady. Standing. Still. The expected's just the beginning, the unexpected is what changes our lives.
The friendship which is to be practised or expected by common mortals, must take its rise from mutual pleasure, and must end when the power ceases of delighting each other.
It's when ordinary people rise above the expectations and seize the opportunity that milestones truly are reached.
The optimum portfolio depends on the various expectations of choices available and the degree of variance in performance which is tolerable. The greater the number of selections, the less will be the average year-to-year variation in actual versus expected results. Also, the lower will be the expected results, assuming different choices have different expectations of performance.
Common to all these types is the anthropomorphic character of their conception of God. In general, only individuals of exceptional endowments, and exceptionally high-minded communities, rise to any considerable extent above this level. But there is a third stage of religious experience which belongs to all of them, even though it is rarely found in a pure form: I shall call it cosmic religious feeling. It is very difficult to elucidate this feeling to anyone who is entirely without it, especially as there is no anthropomorphic conception of God corresponding to it.
The United States and Russia probably do not have common aims and dreams, but they have common worries: Both Washington and Moscow are concerned about the rise of China and are threatened by the rise of radical Islam.
Democracy is fatal for the arts; it leads only to chaos or the achievement of new and lower common denominators of quality.
But something magical happened to me when I went to Reardan. Overnight I became a good player. I suppose it had something to do with confidence. I mean, I'd always been the lowest Indian on the reservation totem pole - I wasn't expected to be good so I wasn't. But in Reardan, my coach and the other players wanted me to be good. They needed me to be good. They expected me to be good. And so I became good. I wanted to live up to the expectations. I guess that's what it comes down to. The power of expectations. And as they expected more of me, I expected more of myself, and it just grew and grew.
There are always things that you see that are pretty tough, sure. But what keeps you going is when you see people rise above toughness and rise above really hard conditions, and make something of it.
My fiction is almost always inspired by a character's need or desire to rise above him- or herself. No one is perfect and some of us have much adversity in our lives; it is those people who struggle to rise above their nature or background that I find the most interesting and heroic.
As an anthropologist, I believe strongly in our common humanity. We can rise above the tribal divisions that have caused so much anguish and real damage in the past.
I don't believe in lowest common denominators. Our focus has been on delivering value. We're rarely going to be the cheapest theater in a market. We strive to be the best.
A baby is expected. A trip is expected. News is expected. Forgetfulness is expected. An invitation is expected. Hope is expected. But memories are not expected. They just come.
Just as it is true that a stream cannot rise above its source, so it is true that a national literature cannot rise above the moral level of the social conditions of the people from whom it derives its inspiration.
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