A Quote by George W. Bush

I want to live out principles that became a part of my life in my 40s, 50s, and 60s. One principle is the universality of freedom. — © George W. Bush
I want to live out principles that became a part of my life in my 40s, 50s, and 60s. One principle is the universality of freedom.
I wanted to create clothes for women in their 40s and 50s and 60s who have careers and are sexy and don't want to look like grandmothers.
I wanted to create clothes for women in their 40s and 50s and 60s who have careers and are sexy and dont want to look like grandmothers.
Growing up in the '50s and being in the '60s, in that revolutionary time space, I thought freedom was what I was looking for. Slowly but surely, it became clear that the last thing I was interested in was freedom. Because if you're going to be free, you have to be free from something.
I like the idea of defying the convention of what it is to be in your 40s, or 50s, or 60s.
I think that certainly the artists of the '40s, '50s and '60s were fighting a very conformist society, which didn't give them enough space to live or create, and they were bucking all kinds of spoken and unspoken rules.
I guess Pumas are in their 30s. Cougars in their 40s Jaguars are 50s, and Sabretooths go into the 60s, right?
I guess Pumas are in their 30s. Cougars in their 40s... Jaguars are 50s, and Sabretooths go into the 60s, right?
That's what [Frank] Sinatra did. He was the first artist to come out in a major way against anti-Semitism and racial bigotry. And those are huge things back in the 50s and 60s and 70s - and he was doing this in the 40s.
I'm influenced by those '40s, '50s, and '60s films: things like 'The Apartment' - I was a big fan of Billy Wilder.
The freedom movement is built around the principle of democracy and universality of freedom.
So much European cinema has open arms to stories carried by women in their 40s, 50s, and 60s. And America is a little behind in that.
I was born in the '50s - 1951. So I grew up during that part of the '50s when everything was supposed to be at its best in America, they claimed, and then eased into the '60s.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
Some bands don't do covers. I love music. I've done the '40s, the '50s, 'the '60s, the '70s, the '80s, the '90s, the '00s, and I'm working on the '10s.
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
One principle is the universality of freedom. I'm a freedom lover.
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