A Quote by George W. Bush
I have written a book. This will come as quite a shock to some. They didn't think I could read, much less write.
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Take a book, the poorest one written, but read it with the passion that it is the only book you will read. Ultimately, you will read everything out of it, that is, as much as there was in yourself, and you could never get more out of reading, even if you read the best of books.
I write as if I'm someone reading the book - often people ask if I write one strand first and then go back and seed in the other, but I don't think I could keep track of who knows what, and the tension would come out wrong, so the answer is no - I write it more or less in the order you read it.
I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.
I am glad there are things in the Bible I do not understand. If I could take that book up and read it as I would any other book, I might think I could write a book like that.
I think that some books are more successful than others to certain readers. People who read my books for the humor, they're going to love one book. People who read my books for the mystery, they might not like that book quite as much.
To read a book, to think it over, and to write out notes is a useful exercise; a book which will not repay some hard thought is not worth publishing.
If you just read Joseph Campbell, who has written amazing books on mythology and religion, they all do come together at some point. There are some of the greatest stories that there have ever been in the Bible. All you have to do is read the book of Maccabi, it's like a film script.
The one thing which seems to me quite impossible is to take into consideration the kind of book one is expected to write; surely one can only write the book that is there to be written.
Exhaustively researched and beautifully written, Cronkite is a classic. Douglas Brinkley has written his best book yet. This is a fascinating story that will be read for years to come.
You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.
When you write, you are alone. It can be a bit of a shock later to discover that people have read what you've written!
I don't feel quite normal if I haven't written for a while. I doubt I will ever again write anything as popular as the "Harry" books, but I can live with that thought quite easily. By the time I stop writing about Harry, I will have lived with him for 13 years, and I know it's going to feel like a bereavement. So I'll probably take some time off to grieve, and then on with the next book!
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and is it is cool and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit again.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.
I write so that people will read what I write. I don't want to write a book that a thousand people read, or just privileged people read. I want to write a book whose emotional truth people can understand. For me, that's what it's about.
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